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< Back DJ Seinfeld John Shmuck Dec 7, 2022 Share Made Me Dance Like I'd Lost My Mind I’d like to preface this article by saying I literally made this DJ Seinfeld show at Kingdom Nightclub in Austin on a whim. I decided to go with a friend after I saw how excited about it he was, and being that he’s extremely selective with what he listens to and attends, I figured this probably wouldn’t disappoint, even though Techno isn’t necessarily my thing. It is a sub-genre of EDM though, and that’s my thing. And I was at Kingdom just a week prior to this show and remembered General Manager Tyler Lyssy being pretty excited about it, too, so I went. DJ Seinfeld! What a f***ing surprise! I don’t know how else to say it. I wasn’t expecting it. I previously listened to some of his tracks on Spotify and while I can’t say I was turned on by them, I did, however, make a commitment to expose myself to as many new indie artists as I can find, and Kingdom Nightclub never disappoints. So, I went against my prejudices and was literally floored … like, pick-me-up-off-the-ground floored . For real, y’all, this cat came out of left field and instantly had me out on the dance floor like I’d done lost my mind. Armand Jakobsson, aka DJ Seinfeld, hails from Sweden and is a Barcelona-based music producer. He has other aliases, Rimbaudian and Birds of Sweden, under which you will find some ever-so-sweeping emotive sounds, vibrant dance-floor jams, and deep, soulful explorations into the jungle and breaks. His beats are ultimately guided by an idea of authenticity, a spirit true to the early house pioneers and shameless rawness the confines of their equipment demanded. The Swedish producer came to rise on the winking, nostalgic tide of lo-fi house. As a matter of fact, he’s one of the most prominent figures in the controversial lo-fi house scene. He's made deep house tracks featured on the Twin Peaks soundtrack, acid house, and crunchy, heart-wrenching trance. By utilizing an overpowering tape hiss and distortion in production, Jakobsson's artistic sound qualifies as lo-fi house. In 2021, he released his first album in four years, “ Mirrors . ” Jakobsson strips away the hiss to zero in on club tracks and express in unique fashion those big, universal emotions. “She loves me” are the first words heard on the album, and it’s a simple yet intimate and revealing statement. DJ Seinfeld’s love of vocal samples tends to cut deep and take you places. It’s a very personal experience to hear something that sweet on one of his singles. Jakobsson began the project as a means of processing a breakup and putting his emotion into his sound. The earlier singles and debut album were not the same—mainly melancholic house, accompanied by euphoric undertones that delivered a sense of longing and sadness. Something has clearly changed, and I like it. My word is this: if you’re a music fan in this genre (or if you’re just a fan of all types of music) and you see DJ Seinfeld coming to a venue near you, you’re going to want to purchase a ticket and check him out. Lesson learned for me: never judge a book by its cover. Sometimes, there's a diamond in the rough. Sometimes, an artist does better in front of you than you might expect. Sometimes, the recording just doesn’t do the experience justice. Questions? Comments? E-mail us at mixedalternativemag@gmail.com . Previous Next

< Back The Philosophy of John Kramer and the Saw Franchise, Part 1: Film Analysis Ezekiel Kincaid Oct 19, 2023 Share The philosophy of the Saw franchise and its iconic serial killer mastermind John Kramer cuts deep beneath the surface into the realm of Nietzschean nihilism. In 2004, Director James Wan introduced us to a new kind of horror icon with the release of Saw : John Kramer, aka Jigsaw. In case you haven’t seen Saw , here’s what you should know: It’s one of the best and highest-grossing horror franchises of all time, having become a pop culture phenom that expanded into various other films, video games, comic books, theme park attractions, music, and tons of merch … and there’s even a Saw television series rumored to be in development at Lionsgate Television . The Saw series revolves around serial killer mastermind John “Jigsaw” Kramer and his apprentices, who are actually victims he traps in life-threatening scenarios that he refers to as tests or games. It’s up to the victim to decide what their scenario will be. What makes Jigsaw different from other horror icons like Freddy, Michael, Jason, and Pinhead is that John doesn’t kill for the thrill. in fact, he claims he’s never killed anyone at all. He simply gives people a choice. “Live or die. Make your choice,” is uttered more than once from him through the Saw franchise. As the storyline progresses, we find out more about what makes Jigsaw tick and why he does what he does in capturing people and putting them in traps. Immediately, Saw ’s storyline taps into our empathy, and in a weird, way we understand where he is coming from. Franchise creators James Wan and Leigh Whannell humanize Jigsaw and make us sympathetic to his plight, and they do so well with tapping into our psyche, that while watching the movies, we actually cheer for John Kramer at times. Saw features excellent storytelling, great tension, and creates so many moral gray areas , you can’t help but walk away from these movies thinking deeply about ethics, philosophy, and morality . This is because John Kramer thinks he has found the way to rehabilitate people and that is by placing them in traps that, if they survive, will help them walk away with a new appreciation for life. So, this topic will be a four-part series, but with this first part , I’m going to do something vastly different from the other film reviews to which you guys have become so accustomed. You’re used to seeing the snarky, sarcastic Zeke who enjoys making you laugh by subjecting myself to some terrible B movies. But behind the smart-mouthed persona, I have a deep intellectual and philosophical bent consisting of three degrees in theology, and with those degrees came lots of courses in philosophy. Therefore, it should come as no surprise that I would take a special interest in the Saw franchise. Besides The Evil Dead , Phantasm, and The Conjuring universe, the Saw movies are by far my favorites in the horror genre. Cracking the Philosophical Code of Saw and John Kramer I’m so taken by the Saw movies that I have spent years watching and rewatching them, meticulously taking notes and trying to figure out where John Kramer falls on the philosophical spectrum. After years of research and comparing Jigsaw to numerous philosophical thoughts, I believe I have cracked the code. Now, I don’t know if Wan and Whannell ever had this in mind when they thought up Kramer’s character, so I cannot speak to their intent. All I have to go with is how John Kramer is portrayed in the movies. That being said, I believe that John Kramer’s philosophy fits squarely within the realm of Nietzsche's nihilism. Let’s unpack this theory and compare Kramer to Nietzsche, shall we? Over the years, I have read numerous articles arguing how the Saw franchise is ethically convoluted. On the surface it can seem this way, and I will be the first to admit it. However, instead of just making a broad, sweeping statement, I believe once we take a deeper look, it all begins to make sense, especially once we look at it through the eyes of Nietzschean nihilism, which can be subdivided into two categories: passive nihilism and radical nihilism. The complexity surrounding John Kramer exists because, ironically, he falls into both categories. This would explain why, on a cursory viewing, the Saw franchise’s ethics seem to be disjointed. Indeed, what comes out of Jigsaw’s mouth at times is hypocritical, but when seen in this new light, they are not confused. Before we jump neck-deep into the world of philosophy, I want to assure my readers of something. I know not everyone has a philosophy background, and I know as soon as someone mentions the word “philosophy” it can be intimidating. Though I have all these theological degrees, I assure you I’m just a blue-collar redneck at heart. I promise to make this understandable and not use lofty jargon, and for the times I have to, I will define the words. Feel better? Good! Let’s continue. First, let’s define nihilism : It basically summarizes a family of thought that says life is meaningless . It rejects all religious and moral principles, including the fundamental aspects of human existence. It is skeptical of all human knowledge, morals, and religious ideologies. Nietzsche , the father of modern nihilistic thought, took this category and divided it into two parts: passive and radical. In talking about nihilism in his book " The Will to Power" (1967), Nietzsche defines a nihilist as someone “who judges of the world as it is that it ought not be and of the world as it ought to be that it does not exist.” To put it in blue-collar terms, all he is saying is that because purpose and meaning in life is unknowable, the nihilist cannot accept the world as it is. Understanding nihilism is extremely important if we are going to make sense of Jigsaw's morality, since it is his morality that drives the Saw franchise. In fact, when we view his morality through this lens, it shows us how coherent Jigsaw’s moral mission is in his own mind and to those of us watching the franchise unfold. I have read other critics who call John Kramer a monster and comment how the film does damage to viewers because it promotes a mindset that is against modern ethics. Sure, I can see how and why the critics would say this, but their criticism doesn’t hold up once we firmly place Kramer in the camp of nihilism. As I will unpack in this series, Kramer’s moral quest is not to save other people and leave behind some immortal legacy ; rather, what Jigsaw wants to do is more destructive. His aim is to destroy the world as is by changing the world around him. This, my friends, is nihilism. Viewing Jigsaw through nihilist eyes shows us that following the loss of his unborn son and a failed suicide attempt, he seeks to destroy himself. How so? Go back and watch the Saw franchise. Have you ever noticed that Jigsaw’s victims MIRROR his own obsessive traits? This is what I am going to break down for you moving forward. We’ll look at passive and radical nihilism, their differences, their similarities, and how Jigsaw fits within both these paradigms. My goal is not to categorize John Kramer but to give us a lens to view the movies through to make sense of his morals and mission. So, for the next few articles, sit back, get your Saw movies queued up, and let good ole Uncle Zeke take you on a magic philosophical carpet ride. Stay tuned as we cut deeper beneath the surface in Part 2 of The Philosophy of John Kramer. Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. Previous Next

< Back Merry Christmas: The Shitter's Full Keeley Brooks Nov 29, 2022 Share New Blood-Soaked Holiday Releases If you’re like me, you’ve already started watching your favorite holiday movies. In fact, as I’m writing this article, I’m giggling at Chevy Chase while watching National Lampoon’s Christmas Vacation . It’s been a top favorite of mine ever since I first laid my eyeballs upon it in all of its hilarious glory. But this article isn’t about that movie. It’s about some other new holiday movies releasing this month … holiday horror flicks. And in terms of movies, and to quote Cousin Eddie, "the shitter's [indeed] full" ... of blood, with all the new horror titles releasing in December. First up is Curse of Jack Frost , which dropped on VOD Nov. 1. Frost is a bit of a demon in this British holiday cinematic offering, and he will stop at nothing this Christmas to exact his vengeance on those left in the bloodline. He terrorizes a family and must learn their family’s dark secrets that link to why they’re cursed. Check out the trailer below: Next is Violent Night , which hits theaters this Friday, Dec. 2. I’d love to be able to tell all you streamers out there, who now prefer to stay home for movies (like me), that this one is also streaming somewhere on the same day, but no such luck. At least not yet. It will, of course, be available to rent at some point, but that date hasn't been announced. My advice is if you wanna see it now, it’s back to packed theaters full of smacking, slurping, coughing, snotting, sneezing people. The film has been anxiously awaited by many since its trailer dropped about a month or so ago and is from Director Tommy Wirkola ( Dead Snow movies, Hansel & Gretel ). Starring David Harbour ( Stranger Things ), John Leguizamo ( John Wick) , Edi Patterson ( The Righteous Gemstones ), and Beverly D’Angelo (by the way, my decision to watch Christmas Vacation as I wrote about Violent Night because Beverly D’Angelo is in both was completely unplanned and I’d forgotten she was even in Violent Night until this very moment. I love when that happens.), It’s a horror-action dark comedy that’s a twisted take on the milk-and-cookies-and-presents Santa Claus we all know. When an elite team of mercenaries breaks into a family compound on Christmas Eve, they get way more than they expected after taking everyone inside hostage. Also, Santa is there to do his thing … and he straight whips everybody mercenaries' ass in what looks like some pretty badass fight scenes. This Santa is no saint, and he’s about to expose why. Take a peek: I gotta say, this movie looks like one hell of a good time, no matter where you watch it. I’m all in! Then there’s Christmas Bloody Christmas ! This little independent number features a Christmas Eve where fiery record store owner Tori Tooms just wants to get drunk and party, until the robotic Santa Claus at a nearby toy store goes haywire and makes her night more than a little complicated. Santa embarks on a rampant killing spree through the neon-drenched snowscape, ultimately forcing Tori into a blood-splattered battle for survival. The film is set to release on Shudder on Dec. 9. Watch the trailer here: And lastly, The Mean One --and I gotta say it looks pretty awesome. I love fx makeups, and this one is incredible. A slasher comedy directed by Steven LaMorte ( Bury Me Twice ), this Grinch teases a dark side. A very dark side. Unlike the other adaptations of the Doctor Seuss classic, this one is an unauthorized parody of the story, mean they didn’t acquire the rights. Due to the lack of permissions, the creators had to be extra cautious to avoid using any language or names taken directly from the book. It’s clear that this Grinch will be a very far cry from any previous versions … it’s a spoof. The setting is a sleepy mountain town, where a girl named Cindy has her parents murdered and her Christmas stolen by a blood-thirsty green figure in a red Santa suit—The Mean One. When this ravenous, Christmas-hating creature begins to terrorize the town and threatens to ruin the holiday, Cindy finds purpose in trapping and killing the monster. The Mean One drops next Friday, Dec. 9 AND, streaming friends, you’re in luck with this one. As a gift to all horror fans this holiday season, this flick drops everywhere on Dec. 15. Watch the trailer below: *BONUS WATCH: I happened to stumble across this one by chance, and no way I’d miss telling you guys about it. Another independent horror-comedy slasher, this one puts a psychological spin on the classic story of Santa Claus, Mrs. Claus, and, of course, the reindeer. Here are the deets on Christmas Slasher : as the holiday season rolls in, a murderous zombie reindeer wreaks havoc on the small town of Vixen, Minnesota. Local townsfolk are viciously attacked and killed, and even the hunters become the hunted. Then the film shifts forward ten years after the murders and centers around Alita Claus, when she and a group of her best friends from college decide to spend Christmas break in a cabin deep in the woods (and we all know what happens in cabins “deep in the woods”). The zombie reindeer is still on the loose, along with now-psychotic-monsters murderous couple Mr. and Mrs. Claus. Here’s the trailer, but an actual release date is yet to be announced and is projected for some time in December. Keep an eye on your favorite platforms. There are, of course, many other holiday horror titles streaming this month, so visit your favorite places and see what’s in store. And always check your VOD titles, especially if you're an AppleTV user. They have some great categories and recent discoveries with little gems everywhere. Be sure to stock up on candy and popcorn before you get to watchin’! And if horror isn’t your thing, be sure to check out my list of non-holiday comedy recommendations , definitely guaranteed to have your face hurting from laughing so much. Enjoy, my friends. Questions or comments? Email Keeley at the_keeleybrooks@mixedaltmag.com Previous Next

< Back Asteroid City: Film Review Shaun Corley Aug 16, 2023 Share Asteroid City is a fun science fiction story with dark and melancholic overtones Acclaimed filmmaker Wes Anderson returns in a grand fashion with his latest offering, Asteroid City . After the fair-to-middling Isle of Dogs (2018) and The French Dispatch (2021), Anderson has found his verve once again with Asteroid City . The film is his first foray into the realm of science-fiction and while it contains all of his trademark idiosyncrasies and quirks, it is also one of his most melancholic efforts. Asteroid City is, without a doubt, a fine addition to the Wes Anderson canon. Wes Anderson exploded onto the scene with 1996’s Bottle Rocket and followed it up two years later with Rushmore (1998) before achieving mainstream recognition with 2001’s superlative The Royal Tenenbaums . This film earned Anderson his first Oscar nomination and remains a favorite among fans. Three years later, Anderson delivered the divisive The Life Aquatic with Steve Zissou . While a commercial success, the film received mixed reviews from critics. After 2007’s The Darjeeling Limited , Anderson stretched his creative muscles on 2009’s classic stop-motion feature The Fantastic Mister Fox . Later films of Anderson’s have included Moonrise Kingdom (2012) and the Oscar-nominated The Grand Budapest Hotel (2014). After Budapest , Anderson entered something of a creative lull. Isle of Dogs attempted to recreate the magic of Fantastic Mister Fox , and while an entertaining movie, it fell flat; the same can be said of 2020’s The French Dispatch , which saw Anderson stuck in a holding pattern. However, Asteroid City breaks this cycle and reasserts the formalist director as one of America’s greatest living filmmakers. Asteroid City can be best described as a “play within a movie.” The play, written by playwright Conrad Earp (Edward Norton) is about a group of children attending an astronomy convention in the town of Asteroid City. 3000 years prior, a giant asteroid hit the area, leaving behind a small fragment. Set in an alternate 1955, the convention is rocked when an alien steals the meteor fragment, leading to a government cover-up, which fails when the same youths who came for the astronomy convention help expose what is going on in Asteroid City. Meanwhile, interspersed throughout are stories of the play’s actors and crew and how their lives outside of the play start bleeding into it. If this sounds like an incredibly dark premise for a Wes Anderson movie, it is. However, Anderson employs his trademark style to soften the edges of the narrative. The kids attending the astronomy convention are typical, precocious Anderson youths, who in some ways are hipper to the world around them than their parents. They do not rely on a major news outlet such as The New York Times to get the story out, instead going with one of the kids’ school newspapers. Likewise, while the military is doing something morally questionable, they are depicted as buffoonish and, in the case of General Gibson (Jeffrey Wright), purely unhinged, spouting off seemingly random babble during a speech. Asteroid City does not just mine its drama from politics and conspiracy theories—there is a very real human element present in the story. Perhaps no one character better embodies this than photographer Augie Steenbeck, played by Anderson regular Jason Schwartzman . Schwartzman has been in many of Anderson’s movies, and here the director gets what might be one of Schwartzman’s best performances. Augie has been a distant father to his children, and when their mother dies, he finds himself suddenly saddled with four kids and no real clue as to what he is doing. Augie bonds with actress Midge Campbell, played by Scarlett Johansson , but this relationship brings no real solace. Augie is truly alone, and Schwartzman perfectly captures his melancholic nature. Schwartzman & Johansson as Augie & Midge Schwartzman is joined by a host of stars from Anderson’s seemingly growing stable of actors. Wes Anderson’s movies are always huge ensemble pieces, and Asteroid City is no different. Anderson regulars Willem Dafoe, Jeff Goldblum, Liev Schreiber, Jeffrey Wright, and Adrien Brody are joined by several newcomers to Anderson’s world, including Maya Hawke, Tom Hanks, Bryan Cranston, Steve Carrell, Stephen Park, and Scarlett Johansson. Johansson in particular stands out as the aforementioned Midge Campbell; as Midge, Johansson channels Marilyn Monroe, right down to her voice and mannerisms. Science fiction is new ground for Anderson, and here he manages to employ tropes of the genre to tell a great story. The movie is steeped in the UFO lore of the 1950s, and Anderson successfully recreates this era, giving viewers an idealized version of 1955, with jet packs and disintegrator rays. Asteroid City downplays the Cold War paranoia that gripped the United States at the time, opting instead to focus more on the political than the personal. Now, 27 years into his career, Wes Anderson has firmly established himself as an American filmmaking institution. He has a distinct style unlike any other director working in America, and in Asteroid City he uses his trademark style to tell a fun science fiction story with dark and melancholic overtones. Asteroid City is currently available to stream exclusively on Peacock and to rent or buy on Video On Demand and Apple Movies. Shaun Corley is an East Coast pop culture enthusiast who loves to write about everything entertainment. A big, important Screen Rant writer, Shaun has many leather-bound books, but they're far outnumbered by comic books and the smell of rich mahogany lingering in the air. Previous Next

< Back On the Rise: RobenX Nicole Brice May 8, 2024 Share RobenX is promising a legacy of influence that transcends music alone. Who is RobenX ? He is a fearless artist, a beacon of authenticity. His life is a testament to the triumph of the human spirit, drawing inspiration from the depths of human existence here in the School of Earth. With a profound narrative of resilience, talent, and empowerment, Roben is not just a musician but also an author, model, anti-bullying advocate, and advocate for albinism . His journey took him to Geneva, Switzerland, in 2018, where he spoke and performed at the United Nations during their Human Rights Day Celebration , a testament to his unwavering spirit. Credit: Andrew of Ejji Studios RobenX, originally Robdarius Brown, hails from Memphis, Tennessee, a city steeped in the rich musical traditions of blues, soul, and rock ‘n’ roll. His early life was marked by significant challenges, but it was through these trials that he discovered his refuge in music. It became his voice, escape, and a way to share his experiences with the world. RobenX's music is a unique fusion of genuine expression and profound emotional depth. It resonates with the vocal stylings of two hip-hop legends, Onyx and Eminem . If these two had a musical lovechild, it would be RobenX. His music is a return to intelligent hip-hop, reaching into the depths of your soul with its raw emotion. The energy he infuses into every song is palpable, radiating from every note and lyric, creating a powerful connection with his listeners. His newest single – “ Blood on the Leaves ,” – was released on April 3, 2024, and is a journey from the depths of pain and existence. It’s dark. It’s gritty. It’s honest. It is exactly what we need in music because it is authentic. On my favorite track, - “ Dial Tone ,”- released in 2022, Roben changes things up and sings a little more while going through the real emotions associated with disassociating from someone. The words are intense and full of pain, culminating in the chorus with the words, “This shouldn’t be the price of love.” So true, my friend, so true. Another favorite song of mine, “ Devoid ,” was released on the Mental Interlude EP in 2020 and is pure poetic genius because I’m sure many can identify with Roben's feelings of just being over everything in a moment of frustration and anger. However, what truly sets RobenX apart in the hip-hop community is his unwavering commitment to advocacy. Through his lyrics and public presence, he not only raises awareness about albinism but also challenges the stereotypes and misconceptions that surround individuals with this condition. His advocacy is a beacon of light, illuminating the path toward a more inclusive and understanding society. Mixed Alternative Magazine recently had the opportunity to catch up with the extraordinary RobenX, and we enjoyed chatting about anything and everything. With so much depth to Roben’s character, we had a good bit of ground to cover, so take a moment to read more of our conversation below to learn about the phenomenal artist, RobenX. Credit: Andrew of Ejji Studios MaM : You’ve released a ton of music since 2012. What was the first song that you ever wrote? How did it feel to bring your musical vision to life via song? RobenX : I was a freestyler when I first started, and I was doing that when I recorded my first song, “They Love Me,” which is still out there, probably buried on my YouTube , but the first song I wrote was a song called “Just Maybe,” but I never released it. That was the first time I had decided to hone my craft. Writing was such a weird concept to me regarding writing music. I used to write stories all the time, but I had never written a song. I had to catch all the words flying by me with all these fleeting emotions, but once I started crafting a song, I realized how much more potent it could be and how much control I had over what I could say. MaM : How old were you when you wrote that? RobenX : I was 13 or 14. Credit: Daneel Ferreira MaM : Who would you say has influenced you the most when making music? I noticed you have quite a bit of diversity in your music. RobenX : I’m just going to rattle off a bunch of names because there are so many, but they are near and dear to what I do: Korn, Three Days Grace, Tupac, Tech N9ne, Bone Thugs-n-Harmony, System of a Down, Breaking Benjamin, Disturbed, Thousand Foot Krutch, Mindless Self Indulgence, The Temptations, Kendrick Lamar, and Eminem. I almost forgot Michael Jackson and David Ruffin, too. MaM : There is such diversity. What mission statement would you like to convey to people discovering your music for the first time? RobenX : I want people to take my stories and use them to help themselves. I want to use my pain to heal the pain. I experienced a lot of different scenarios and got to experience things I probably shouldn’t have at a young age. Still, I want to testify that your past helps define you, but don’t let it limit you. The world is yours to do what you want, so use my words to appeal to you. Use my stories and find yourself in the music. Take my words and apply them to you. Credit: Andrew of Ejji Studios MaM : How do you approach the songwriting process? Take us through that. RobenX : It’s different every time because I’ve written some songs in five minutes. Some songs, though, can take months. Sometimes, I have an idea that I’ll record or write stuff down, but sometimes, the concept is there, but I just haven’t found the right instrumental. It all must align with the universe. I try not to do things the universe doesn’t need, so if the idea doesn’t speak to me, I usually discard it or set it aside until it’s time. Usually, I’ll hear a track and listen to what it is trying to get me to say, and I listen to the universe and the higher-ups who give me the stories I need. For example, a lot of what is going to be on “Shoulda Died” is just internal and reliving some of the past trauma that I experienced as a teenager and as a young adult. Credit: Andrew of Ejji Studios MaM : I like to call those universal happenings when you listen to the divine guidance given. So, the next question I have for you is funny but one that will get you thinking. You’re headed to live on a deserted island and can only bring CDs by five artists. What are you bringing? RobenX : Believe it or not, my list would be small. Ok, Smino’s “ Noir ,” Tupac’s “ All Eyez on Me ,” Kendrick Lamar’s “ Good Kid ,” Three Days Grace’s self-titled album , System of a Down’s “ Hypnotize ” or “ Toxicity ”. (laughter) Man…I can’t forget about Michael Jackson’s “ Thriller ”, too. That’s hard. (laughter) MaM : I love that. You are such an inspirational individual. So, what are you working on currently? You released a new single in April but must have something else in the pipeline. RobenX : I am working on a new project, and I’ll go ahead and give you the title; it’s called “Shoulda Died.” We’re also working on a coloring book inspired by my book, “ The Colors of Olleh ,” a children’s book, and Teiyonna Douglas is the illustrator of that book. She created all the pictures. She also did the cover art for several of my releases, including “ The Mental Interlude ” EP and for a mixtape I have on YouTube called Moldy . Her artwork is on that cover, too, and she’s been helping me a lot. She is creating the coloring book all by herself, though, and I give suggestions here and there, but I will also be releasing some songs from “ The Mental Interlude ” EP in their live versions. Credit: Daneel Ferreira MaM : Wow! So much is going on! So, when do you anticipate some of that dropping? RobenX : If I can, I want to have something out by June, but my goal is June or July. MaM : Let’s discuss your book, “ The Colors of Olleh ”. What was the process like putting all of that together? RobenX : The inception of “ The Colors of Olleh ” was simple. I wanted to write a book and tell a story about a child with Albinism but not have Albinism be the main focal point. I just wanted a character who had Albinism. He sees colors and lives in a world of black and white. I called Teiyonna immediately to pitch the idea to her, and she loved the concept. However, she thought about making each page monochrome to show that Olleh can see color when others cannot. The idea started snowballing to where colors were representing differences. When people don’t see people for who they truly are, they are living in black & white. To see the beauty of difference is to see in color. If you say you don’t see color, you live blind. It’s all subjective. Richard Hervey is the producer. He goes by the name of Enigma, but he has helped on numerous tracks of mine, and he was the one who helped turn the entire concept into a book. He took Teiyonna’s ideas and made them bigger, and then “ The Colors of Olleh ” was born, and Olleh’s name is just “hello” backward. Olleh is a traveler, though he could be anyone, and he meets a young lady in the story named Vye, who ends up being the leader of the story. Her character is to show people that they can step up and not wait for a change, but they can be the change. Olleh goes to this town to tell people that he can see color, and they can see color if they accept him. At first, people are hesitant, but then Vye decides she’s curious, so she accepts Olleh, and when she does, it’s easier for others to do so. It shows leadership. Step up and be the change. Small note: Vye’s name is taken from the color violet. MaM : You’ve done so much, a true Renaissance man, but I read you’ve also worked with the United Nations on some things. Tell us a little more about that. RobenX : I was doing some Albinism awareness and anti-bullying work and was asked to be part of a video educating people on Albinism. However, I didn’t think too much about it afterward. Years passed after I had done the video, and I didn’t hear from them. They didn’t have my e-mail, so they tried to reach out to me via my social media, but the messages went to my spam box for some reason. One day, I checked my spam folder, and there were many messages. I would have missed the opportunity if I had just waited a day later to read the messages. I was flown to Geneva, Switzerland, and I got to meet the High Commissioner of the United Nations, and it was insane. I was 18 or 19, and coming from Memphis, with growing up how I did, flying to a different country was wild. For reference, my grandmother has never left Memphis. My mom was the first in her family to graduate from college. This was a huge deal. Once I got there, I was allowed to speak about Albinism and human rights and what we could do to make a difference in other countries. See, in other countries, people with my condition are considered spiritual or magical and are often killed because of this. Their body parts are then used in rituals and incantations, but if the poachers don’t get them, then they are dying from skin cancer because of overexposure to the sun, and they don’t have access to proper healthcare for their conditions. I wanted to use my voice to see what we could do to help them. I was made a Human Rights Champion and allowed to meet other leaders from all walks of life. It was amazing. Very powerful. MaM : Where do you see yourself headed in the future? RobenX : I want to do so much, and I know I can’t save the world in a day, but the goal is to reach as many people through as many mediums as possible. I want to flood the market correctly with the right things. No matter where you turn, things aren’t full of love labor. I want to create mediums that speak to people, help people grow, and give people power. I believe we are on that journey, too, and I hope that in the next five years, we can reach people with positivity through all mediums. RobenX exemplifies the powerful intersection of art and advocacy with each new track, performance, and interview. His journey underscores the potential for music to entertain, enlighten, and provoke change. As his message spreads further, he promises a legacy of influence and change that transcends music alone. To check out Roben’s work catalog, hit the link below and be sure to follow him on social media. *cover photo by Andrew of Ejji Studios *videos provided by Extreme Dreams USA www.teamrobenx.com HOME | TeamRobenX Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next

< Back Theater Tripping in November Keeley Brooks Nov 2, 2022 Share New Movies Releasing in Theaters This Month Well, you don’t need my big mouth to tell you that new movies are releasing in theaters this month, but you might need it in case you aren’t sure what all’s coming or in case you don't feel like searching. Allow me to enlighten you, my sweet little movie-loving readers. Armageddon Time – Starring Anne Hathaway, Anthony Hopkins, and Jeremy Strong (HBO’s Succession ), this Focus Features’ coming-of-age story takes place in New York City in the 80s. It’s about a 12-year-old Jewish boy whose rebellious streak gets both him and a Black public-school classmate into serious trouble. Directed by Ad Astra’s James Gray. In theaters Nov. 4 Black Panther: Wakanda Forever – Perhaps the biggest-title release this month, or the most anticipated, is the Black Panther sequel, Wakanda Forever . One of the biggest films of all time, the Black Panther franchise underwent a restructuring after the 2020 passing of its beloved star, Chadwich Boseman. The plot sees Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M’Baku (Winston Duke), Okoye (Danai Gurira), and the Dora Milaje (including Florence Kasumba) fight to protect their nation from intervening world powers in the wake of King T’Challa’s death. Directed by BP director Ryan Coogler. In theaters Nov. 11 She Said – Another heavy hitter, this Universal Pictures drama tells the true story of the two New York Times journalists, Megan Twohey and Jodi Kantor, whose 2017 investigative reporting brought down the perverted Hollywood producing mogul Harvey Weinstein. Stars Carey Mulligan ( Promising Young Woman ) and Zoe Kazan ( Clickbait , Ruby Sparks ). In theaters Nov. 18 The Menu – Who doesn’t love a good psychological thriller, especially with Anya Taylor-Joy ( Split , Peaky Blinders )? This one sees her as a select guest at an uber-exclusive restaurant run by a sadistic chef, played by the infamously creepy-when-he-wants-to-be Ralph Fiennes ( Red Dragon , The King’s Man ), who has more than just a meal planned for his customers. Directed by Mark Mylod ( Succession ). In theaters Nov. 18 Glass Onion: A Knives Out Mystery – If you loved 2019’s Knives Out , chances are you’ll also love its follow-up. By far the “widest theatrical release in Netflix history” (as reported by Box Office Pro), this mystery-comedy sequel sees Daniel Craig return to the role of Detective Benoit Blanc. Tech billionaire Miles Bron (Edward Norton) invites his friends for a getaway on his private Greek island. When someone turns up dead, Det. Blanc is put on the case. Also stars Kate Hudson, Kathryn Hahn, Ethan Hawke, Dave Bautista, Serena Williams, Leslie Odom Jr., and Angela Lansbury, among others. In theaters November 23 FOR ONE WEEK ONLY; Airs on Netflix Dec. 23 Strange World – Walt Disney Animation Studios’ latest feature is a trippy little fantasy about a family who gets more than they bargained for while exploring a strange world. Featuring the voices of Jake Gyllenhaal and Dennis Quaid. Directed by Don Hall ( Big Hero 6 , Moana ). In theaters Nov. 23 Devotion – A historical action drama starring Glen Powell (“Hangman” from Top Gun: Maverick ) and Jonathan Majors (HBO’s Lovecraft Country ) as a pair of fighter pilots—one black, one white—during the Korean War. If you saw TG:M, chances are you loved Hangman, so I wouldn’t balk at seeing this one! In theaters Nov. 23 The Fabelmans – A semi-autobiographical tale of a boy and aspiring filmmaker growing up in 1950s suburbia. Directed and co-written by Spielberg, this is his first feature film writing credit since 2001’s A.I. Artificial Intelligence . Features Michelle Williams as the mother, Paul Dano as the father, Seth Rogen, and newcomers Mateo Zoryon Francis-DeFord and Gabrielle LaBelle ( The Predator ). In theaters Nov. 23 Bones and All – Starring Taylor Russell ( Waves ) and, one of my absolute favorite actors to watch, Timothée Chalamet, this film follows two young lovers in 1980s America … who are both cannibals. Directed by Luca Guadiagnino ( Call Me By Your Name ), this genre-defying title is based on the novel by Camille DeAngelis and co-stars Mark Rylance ( The Outfit , The BFG ). In theaters Nov. 23 Questions or comments? Email Keeley at the_keeleybrooks@mixedaltmag.com Previous Next

< Back Baquenne: Soothing, Ethereal Music Nicole Brice Jul 31, 2023 Share The music of Baquenne is diverse and intricately constructed Soothing, laid-back, feel-good music with upbeat vocals, catchy hooks, and ethereal guitar sounds: That’s the music of Baquenne . A band from Asbury Park, New Jersey , drawing inspiration from classic rock to 90's alt rock, the band is comprised of Liam Moroney on lead vocals, Eric Rudic on guitar, Chad Sabo on bass, and Santo Rizzolo on drums. Baquenne’s music reminds me of the tunes you would hear as a backdrop to a film about being at the fair on the boardwalk while enjoying ice cream on a beautiful, bright sunny day. From the howling guitars on ' Mountain #1 ,' which are soothing and evoke memories of playing outside as a child, to the stomping intro on ' Baby You’re Mine ,' which features a rhythmic opening building to a strong chorus of loud guitars and danceable beats, this band has something for everyone in terms of musical diversity: They’re poppy, they’re fun, and their music is just plain good. credit: Jeff Crespi Another track of theirs, ' Dead ,' is a guitar-infused slow jam with introspective lyrics that calm you and sounds like the perfect soundtrack to taking a drive down country roads with the windows down and your hand waving in and out of the breeze as you cruise along. And, Liam ’s vocals are soft and mellow and have just the right amount of intensity for songs intricately constructed about life and loss. Hauntingly reminiscent of Brendan B. Brown of Wheatus , Liam Moroney has the perfect voice to sing alt-rock, and I truly enjoy listening to him. The band began during the pandemic and has just begun with the guys continually writing and recording material as well as playing shows. Currently, their catalog consists of five singles available via Apple Music and Spotify with clever album art for each single released. The cover is nothing more than a simple band logo against a backdrop of a solid color that varies with each release ala the style of Weezer . If you remember, Weezer has done the same album art for several releases but with each one showing a different color with the guys wearing different outfits and looking just slightly different. It is pure brilliance in its simplicity and it’s clever branding, too. credit: Jeff Crespi A quick search on YouTube pulls up Baquenne ’s video for “ This is Life ”, a song that begins with a mellow opening only to build to grungy guitar fuzz and visuals of Liam driving in the car, playing guitar on a bench in the snow, with Eric lingering nearby in a covered bus stop. The guys look like they’re freezing, but with all the winter gear they’re sporting, I’m sure they did just fine. To see more of the band, check out, “ Mountain #1 ”, which is a performance vid showing the band in action. I really dug this song, and I think you will, too. A friend turned me on to Baquenne ’s music and I’ve been a fan ever since, so I wanted to share them with you, the readers of Mixed Alt Mag , so you could add another band to your rotation of tunage. I recently had the opportunity to chat with Liam and Eric at length and these guys are humble, fun, and down to earth. I’ve included the answers to a couple of questions that were thrown their way so check it out. Baquenne is creating music that is different, quirky, and just plain enjoyable. I have a feeling we’ll be listening to their music for many more years to come. MaM : Where did the band name come from? It’s so unique! Liam : So, the short answer is we just like the way the name looks. It’s not a real word as you know. And it came about during the mixing of one of our songs. credit: Jeff Crespi MaM : When is the new single coming out or when can we expect new music? Liam : We are working really hard to have a single out by mid-September with an EP to follow shortly after. We’re putting the finishing touches on those tracks now. MaM : If you could share the stage with any current band, who would it be? Liam : As far as sharing the stage, quite frankly the list is endless. There are many bands that are putting on great shows and we’re always trying to create a fun atmosphere during our live set. We would love the play with bands like the Pixies and Weezer , who both are coming to our area in the near future. credit: Jeff Crespi MaM : What are the future aspirations for the band? Liam : Since this band is relatively new our immediate goals are to really keep creating and spreading the word. We want to play to new audiences and take this thing as far as we can. To experience Baquenne ’s music for yourself, hit one of the links below! We’re certain you’ll be adding their music to your collection after engrossing yourself in their tunes! YouTube: https://www.youtube.com/@baquenne9467 Facebook: https://www.facebook.com/baquenne/ Instagram: @baquenne • Instagram photos and videos Spotify: Baquenne | Spotify Apple Music: Baquenne on Apple Music *cover photo by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Nicole Brice loves discovering new music. Got something you think she’d like? Hit her up at the_nicolebrice@mixedaltmag.com . Previous Next

< Back NITE: Revamping New Wave Nicole Brice Mar 31, 2023 Share A New Era of Synths While doing my daily scroll on Instagram recently, I came across a duo performing a cover of Local H’s “Bound for the Floor” and I was instantly stopped in my tracks. I’ve never heard anyone cover this song, and with Local H being a favorite of my brother’s, I felt compelled to check it out further. Intrigued, I turned the volume all the way up to take it all in. After listening to the song, I had to know who these guys are who decided to cover Local H? As it turns out, their name is NITE, and they hail from Dallas, TX. NITE is an electronic rock band comprised of twin brother producers Kyle and Myles Mendes. They are also joined by drummer Phil Helms (The Vanished). The trio is inspired by alternative music of the 80s and 90s, and their sound has been described as darkwave, post-punk, post-industrial, and dream pop. I think their sound is just amazing, creative, and full of artistic flair. Photo provided by artists The brothers have released three full-length albums, along with several singles, remixes, and an EP, and they’ve also had the prestigious honor of touring and performing with bands like The New Division, Small Black, Vision Video, Clean Bandit, A Flock of Seagulls, Actors, Midge Ure (Ultra Vox), Magic Sword, Men Without Hats, Night Club, and Berlin—yes, the Berlin. Say whaaat?! After enjoying the Local H cover, I wanted to hear more, and that’s when I discovered their Spotify page full of musical goodness. They’ve even taken on the task of covering an iconic grunge tune by Alice in Chains to make it all their own. Their cover of “Would?” is fresh as a shirt straight out of the dryer and is truly remarkable. You must check it out. I reached out to NITE to learn more about who they are behind their sound, and luckily, I had the opportunity to speak with both Kyle and Myles. They’re so much fun, I almost didn’t want our conversation to end. We promise you’ll be just as entertained by them as we are. MaM : Good Morning! How are you? Myles : Hey, I’m doing well. Thank you so much for setting this up. Kyle’s here, too. MaM : Hey Kyle! So, I wanted to start with what made me gravitate towards you guys. That Local H cover is awesome! Very few people give props to Local H and, in fact, my brother is a huge fan of theirs. I want to know your story, though, and I want to convey it to our readers so they can learn a little more about you. So, you guys are based in Dallas, correct? Born and raised there? Myles : Well, we were born in Canada, actually. Kyle : Winnipeg. Myles : Yep, we live in Texas and have for most of our lives, and I would consider myself a Texan more than anything, but we do visit Canada a lot and have played several shows there. MaM : Awesome. So, let’s talk production. I’m assuming you record and produce your own music, but do you also do work for other musicians as well? Myles : We do it for other musicians. We also make music for other companies and do commercial work as well. That’s a new thing for us. We haven’t went [sic] public with it, but we do have a song in a Ford Mustang commercial in China. MaM : Wow! That’s impressive! Myles : It’s not a NITE song, though. It’s just something we produced for commercial work. MaM : Eh, it still counts. How would you describe your music? I was listening to the two EP’s that are on Spotify, and on your first EP, it’s more of a New Wave sound with a little techno. I hate saying “techno,” because it’s a more of an electronic sound, but with your second EP, you add in a little more fuzz and it has more of a rock vibe. Y’all’s cover of “Would?” is insane! I have never heard that song covered in that way, so tell us what inspired you to cover that specific Alice in Chains track? Myles : We, well, just like you said, we have more of that pop/new wave sound in our roots, but I feel during COVID, we started gravitating more towards industrial music. Photo provided by artists MaM : Ministry fans? Myles : Yeah, we love Ministry, too. We love that whole sound. Skinny Puppy, too. You name it, we probably like it. There is definitely an industrial accent with our music, and we wanted to bring that back a little but also not take the pop away. We really like early Ministry. Their first album was great. MaM : “With Sympathy”… yep! In fact, I put that down in my notes as a comparison for your music. Your first EP reminds me so much of that album. Myles : Thank you. I love that. That’s an honor to say it. We actually got into Alice in Chains late in the game. I’ve always known about them and who they were, but when I heard the song “Would?”, I thought, ‘Man … this could have been a Joy Division song’—even the comparisons from Layne to Ian Curtis’ life. … [A]nd you know, they both ended tragically. I felt “Would?” is a post-punk song in its own right, though, and I felt like I needed to hear it industrialized. It was also kind of the kickstart to colonize a new branding with more of an industrial sound. I didn’t try to sound like Layne, nor should I even try, but I felt that we took a different vocal approach to it. MaM : I completely agree. So, what do you guys want to accomplish going forward? Myles : Well, that’s a good question. I mean, we keep putting out music, and it was last year that our new song “Your Ego is Gone” was released along with the EP you heard. We are due for a new single, though, so we’re going to try and put one out before the tour this summer with The New Division. I think July is what we’re aiming for. We hope to have a single out by then. MaM : You mentioned a tour. Is this going to be a national tour? Myles : Right now, it’s just going to be a Texas tour. We’re hoping for a national tour later on this year with a band called Empathy Test. The New Division actually remixed our song “Life and Love”, and it has amassed many plays and was shared by New Retro Wave. MaM : Oh, I haven’t heard that yet. I’ll have to check it out. Does anyone ever give you guys a Tears for Fears comparison? I hear a tinge of that, too, in your music. Myles : Well, we are big Tears for Fears fans, and a lot of people do reference [them] with us. We are twins, though, and we’ve grown our hair out a little because, as kids, we were in a military school where we had to have shaved heads. It was a juvenile program called Young Marines. We weren’t juvenile delinquents or anything like that, but our parents felt we needed a ‘life experience’ and we got one. We also made a vow to grow out our hair afterwards. My dad loved the music of Kiss and a lot of the 80’s hair metal, so I guess you could say that’s why we have hair like we do. Kyle : It’s not a perm. Yeah. We don’t perm our hair. We have naturally curly hair. Photo from artists' Facebook MaM : That’s awesome that you naturally have that 80’s vibe going on. (laughs) So, you guys have a very fresh synth sound. How do you achieve that? I want to know what gear you use. Myles : We make our music through a software called Reason. We record pretty much everything through that, and a lot of our synth sounds are created with that, too. We also have Korg Minilogues we use. MaM : Nice. Myles : Another thing that people have taken notice of is our matching guitars, especially since we’re twins. We are currently playing Fender Jaguar guitars. Kyle plays bass, I play guitar, and they’re pretty much identical. What else, Kyle? Oh! We also have a drummer that sometimes plays with us, and he uses a full drum kit—the traditional one. He also plays with triggers, and that’s also how we capture him. His name is Phil Helms. He’s a veteran of the music scene, and so when Kyle and I were in middle school and high school, we actually listened to his band on the radio, and now he’s playing in our band. His band was called The Vanished, and then after that, they became Seven Channels. They’ve changed the name, but they’ve been touring for years. They’re kind of like an emo rock band. Photo from artists' Facebook MaM : See, that name sounds familiar. I bet I know their music. Myles : They had a single that was on national radio. It was called “Favorite Scar”. That was a big song. MaM : Ok, as soon as I get off this call with you guys, I’m going to check it out. There are many bands out there that I may not have heard because of how over-saturated the scene is. Kind of sad, actually. (laughs) Myles : There’s so many bands who had somewhat of a career and then, you know, it goes away, but with Spotify, at least you can look it up and go, ‘I remember this song from, like, 15 years ago.” They only had the one hit, though, unfortunately. MaM : Right, but even Spotify is kind of new to someone like me. I remember back in the day when you had the CD store and that was it. Hell, most of the CDs I used to buy were because of the cover art and whether it was in the genre of music I liked, and then I would listen to the music to see whether I dug it or not. So, new single coming in July … when do you plan to release a new EP? Myles : That’s a good question. I feel we are still learning. I’m seeing a lot of our friends are just garnering a good bit of success, and we have an album’s worth of material. I just feel if we released an entire album right now, we would kind of be hindering our growth. I think we’ll do what is called ‘waterfalling’, where we just keep releasing one song at a time and add a song to the EP every time we release one. Our next release might be the EP plus the new song. MaM : I think that’s an awesome plan. So, back to the Local H cover. What made you decide to cover them and their song “Bound for the Floor”? Myles : We love their music. They’re a duo, and we’re primarily a duo. Phil, our drummer, has always been in the trenches with us, per se, but he’s older and he can’t come out with us to a lot of the shows. He has a family and can’t make it to every gig, so we perform more as a duo. [So], we were just really inspired by Local H being a duo. Plus, we loved the song. Listen to their cover of "Bound for the Floor" here: https://www.youtube.com/@wearethenite/shorts MaM : Are you guys just releasing everything independently right now? Any interest in being on a label? Myles : We don’t have a label or anything like that right now, but we were a part of Cleopatra Records at one point, and we put out ‘Sleepless’ and an album called ‘Reborn’ through them. After leaving Cleopatra, we put out a remix album, and now we’re on this industrial, you know, crusade. MaM : Guys, we really love what you have going on and can’t wait to hear more. Any parting words or anything else you want our readers to know? Myles : We’re grateful that we’ve gotten to open for so many cool bands over the years, and I feel we’ve been fortunate so far. I feel we’ve seen our audiences grow, and that’s really encouraging. We are just hopeful and we’re positive and we do what we do because we love it. Discography: · I Am Not Afraid - 2013 · Reborn - 2017 · Sleepless - 2020 · Sleepless Remixes - 2021 · Hallelujah Your Ego is Gone EP- 2022 To check out the music of NITE, hit one of the links below and be sure to follow them on social media. NITE (@wearethenite) • Instagram photos and videos www.wearethenite.com https://www.youtube.com/user/wearethenite NITE | Facebook Nite | Spotify Hallelujah (Your Ego is Gone) EP | NITE | Nite (bandcamp.com) Profile / Twitter ‎Nite on Apple Music Nicole Brice is a lifelong music guru who covets her vinyl collection and she wouldn’t have it any other way. Got questions or comments? E-mail her at the_nicolebrice@mixedaltmag.com . Previous Next

< Back From Blue Ridge to California: The Musical Journey of Nick Sabia Erica Machen Apr 24, 2024 Share Nick Sabia’s new release “Back East” is a peaceful trek through nature. In the vast landscape of the music industry, it is refreshing to come across an artist with such a unique blend of talent, passion, and dedication that sets him apart from the rest. Nick Sabia is a musician and storyteller who invites listeners on a journey through his day-to-day reflections and cherished memories through the use of vivid stories and relatable lyrics. With numerous releases since 2022, Nick has been steady creating new music, and his newest song, “ Back East ”, is out today on all streaming platforms. From his Blueridge Mountain adventuring roots to his current home in California, Nick Sabia's music reflects a reverence for nature and a longing for authenticity and simplicity in an ever-evolving and changing world. " Back East " was mixed by John Lousteau at the legendary Studio 606 —the home studio of The Foo Fighters —and is a solid and enjoyable track with a deeply personal and introspective journey. After our exclusive early listen to “ Back East ,” we were able to delve into the essence of Nick’s craft, exploring the intricacies of his songwriting process, his personal growth and transformation on his music, and valuable lessons learned from collaborating with industry legends. Throughout his career, Nick has collaborated with luminaries such as Grammy winners Charlie Colin (Train) and Jeff Silbar (Fleetwood Mac, Alabama, Dolly Parton), Grammy nominee Ronnie King (Mariah Carey, Tupac, Snoop Dog), producer Lewis Richards (Dirty Heads), and iconic musicians like Stan Frazier (Sugar Ray) and Lap Steel Legend Gary Brandin . Drawing from these experiences, Nick has honed his craft and embraced a diverse range of influences, from folk-inspired melodies to darker tones reminiscent of Chris Stapleton. We were able to chat with Nick recently about his latest release and much more, so check it out, and then go stream his new song, " Back East " on your favorite streaming platform. Click to experience "Back East". MaM : You’ve been described as a musical artisan, weaving stories through your songs. How do you approach songwriting to create such emotive narratives? NS : I think I shift through things like panning for gold. Some days you find things that aren't quite as potent. But it's more like the continual seeking of it. If I can make it daily, I can't always, but it's usually a daily adventure into myself or into how I'm feeling. And then half of the time, you come out the other side with something potent and really meaningful. Photo provided by artist MaM : You've mentioned embracing change and moving past the ghost of the past. How does your music help you navigate personal growth and transformation? NS : It becomes a daily or pretty consistent thing, like a journal or therapy. It's better for everyone when you're creating, otherwise you feel a burden for not using your gifts. Going through consistency allows you to compartmentalize emotions. I'm pretty emotional, and without music, I'd probably not contain it well. Writing music is cathartic, a way to have catharsis. It's fun, realizing there's more to you than meets the eye. I'm still figuring stuff out at 29, but it's a journey, you know. It's just fun. MaM : I love that. Look, it's okay, I'm 39 and I'm still figuring it out. NS : We all are. No one really gets it. There’s nothing like the high of listening to a song that you just demoed and driving home. I don’t think anything I could ever do could really amp me up the way that amps me up. I live off that high. Photo provided by artist MaM : I noticed you have worked with some industry legends and at renowned studios. What have been some of the most valuable lessons you've learned and from whom? NS : There was a period of time when I wrote with Jeff Car, the old-time cat who wrote "Wind Beneath My Wings." That guy has been writing for 60 years, while it's only been eight or ten for me. He would just sit there, be quiet, and listen to the wind for a second. I soaked in anything I could learn from him. He still takes it step-by-step with how he's feeling that day. Taking a walk was something big when you're stuffed up and need a break or need to figure out a line... He said, "Just go take a walk." MaM : Hey, sometimes simple advice is the best advice. NS : You know, it's like, go take a walk and you'll probably figure it out without overthinking. It becomes an extension of your arm or soul. I learned to let go of overthinking and crafting to fit a mold. Working with these free-flowy folks, they maintain a youthful spirit. Retaining that sense of youth and wonder is vital. Listen to each day, stay receptive, and observe life. Click image for artist's Spotify. MaM : You're often inspired by nature, I've seen, and the places that you love - with "Chattanooga" and then your newest release "Back East". So, how does your connection to nature influence your songwriting process? NS : Quite a bit. The root of it is that nature reminds me I'm a creationist. When I go out, I see creation and I'm just blown away by it. It humbles me and puts me in a still perspective. I feel as though, when I'm out there, that society and all these things are a funny distraction. For me, it's just a way to re-establish my feet on the ground and remind myself that I am significantly insignificant. It's easy to be cooped up in the studio all the time when all I am doing is recording and doing music stuff. It's [nature] just a way for me to really step outside my box and breathe. When I'm really in it, I don't want to hear music. I want to hear the birds. I really use it as a means to fill up my well of inspiration. Knowing I’m going to go back to the city, It's like soaking up the waterfall, the light and the birds. MaM : Can you share a bit more about the real-life experiences and the actual places that inspired you and what you want the fans to take away from “Back East”? NS : Since I was four, I've been going to north Georgia, in the Blue Ridge Mountains, to visit my dad. We would go stream hunting, explore abandoned houses, and crawfish in rivers. It was really adventurous. It felt like that Disney type of vibe. California is beautiful in these "pockets." Kind of like Joni Mitchell says-- Tree museums and parks. I'm lucky and have a little slice of a fake country thing here, but I am actually next to the number one grossing mall in America. It was really hectic on New Years Eve of last year, and I just thought "I'd rather wade in a river than wait in a line." I thought, that's a line, a pretty cool line! I just want people to be understood. It's more like a longing for it that I am trying to capture. There's plenty of people out there that long for that, and I feel like it can be a song to remind them of what they love and where they are. Click picture to experience "Back East". MaM : As an artist, and especially with you relocating to California, how do you stay true to your authenticity while also experimenting and evolving creatively? NS : That's such a good question. I would say, a big thing is avoiding boxes. I'm very conscious about the typical thing of putting a person in a box. I get it, I have a beard, I wear this, I have long hair, I'm from the country, I play guitar, I can sing… So, therefore, I am that, you know? I just think that's a very elementary way to look at humans and art. It's really basic. So I try not to. It might be that branding is easier, but if that's my priority, then I'm not in the right mindset. Some days I'm just feeling Mac Miller-ish, I'm in a good mood, and I'm like, "Yeah, let's bop, let's just pop our heads," and I go make a bop, you know? Or I came back from Vegas and make this dark, kind of Vegas-style song, because I was just in Vegas. Credit: Artist website MaM : I love it. It's like a commercialized restaurant versus privately owned and operated. You know, you don't have to limit your menu whenever you have control of that. NS : You can change the menu every week. Some people love the fact that there's a real chef back there doing real artisanal things that's changing the menu every week. I'm definitely leaning into my roots more. Growing up, I watched CMT every day of my life. I definitely love the country, and it is still totally who I am. I just think that it's not all of who I am. Photo provided by artist MaM : Looking ahead, what are your aspirations and goals for your music career? And how do you envision your sound evolving in the future? Do you have a plan for that? NS : I wouldn't say I have a literal plan, but I would say I definitely will branch out because of what we just talked about. I will not allow myself to be one thing. For the near future, for the next few months, it's gonna be the folk and more acoustic. I'm starting to view music more from a producer's lens and say "This studio is great for this flavor, and this studio is great for this flavor," you know, different. I really want to keep it kind of raw too. "Back East" was a raw demo that I made in about an hour, the day after I wrote it. Even if I did redo it, it probably wouldn't be as good, like capturing fireflies. It wouldn't be as honest as it was that day. I'm gonna keep it cohesive. It's gonna be a flow, but it'll amalgamate to some different things down the line. Photo provided by artist MaM : Is there anything you would like to tell us about coming next? NS : In the next couple of songs after this [“Back East”] it's gonna be darker tones, more like Chris Stapleton tone of vocals. It's just a little more intense, and that's kind of fun. Also, there's a remix my friend is doing of "Wearing Down." It's a song I already have out. It should come out about a week or so after “Back East.” It just shows what things could be, I suppose. I do like that it kind of throws people off for a second… Like, "What the heck?” Nick Sabia is an extraordinary musician with a clear vision. With his unique sound and passionate storytelling, I have a feeling he'll be captivating audiences worldwide soon. It is clear that this leg of his musical journey is only the beginning, so keep an eye out for Nick, as he is poised to make a lasting impact on the music scene for many years to come. *cover photo provided by artist For more information on Nick Sabia and his music, visit: www.nicksabia.com Nick Sabia | Americana Alt-Folk Music Nick Sabia is a prolific musician in the Americana / Alt-Folk / Singer-Songwriter genres. #music Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next

< Back Review: Old Friends, A Dogumentary Shaun Corley Jun 27, 2023 Share One documentary every dog lover should see About a decade ago, in a moment of foolhardiness, I agreed to foster a senior dog with an eye towards adoption. Within days I realized I was in over my head, but I stuck it out. However, as the days turned into weeks, I came to the understanding I was not going to be able to keep her long term. I needed options. And that is when a friend told me to check out Old Friends Senior Dog Sanctuary in Mount Juliet, Tennessee. I did as they suggested, and I was kind of blown away by what I saw. It was a sanctuary. For senior dogs. I had never heard of such a thing before. I also noticed right away their social media game was on point, with not only regular updates but also cute little insights into the dogs themselves. Eventually, the senior dog I was fostering went back to her original human, and she lived out the rest of her life in comfort and peace. I was relieved at the outcome of the situation—and it created a permanent place in my heart for Old Friends Senior Dog Sanctuary. Now, this wonderful organization is at the heart of acclaimed documentary filmmaker Gorman Bechard’s new film Old Friends, A Dogumentary . The film is the follow-up to Bechard’s 2020 effort Seniors, a dogumentary . Old Friends Senior Dog Sanctuary is the brainchild of Zina and Michael Goodin, who still oversee the Sanctuary to this day. After volunteering with various Golden Retriever rescues, the Goodins realized there was a desperate need for a place for senior dogs to land and spend their golden years. More often than not, senior dogs are overlooked in shelters and rescues in favor of younger dogs. As a result, many are euthanized when they still have so much love to give, and Old Friends is working to correct that. Old Friends has been in existence since 2010, and they received non-profit status two years later. As the organization has grown in size and scope, they have continually needed to upgrade their facilities, culminating in the opening of GrandPaw’s Gardens. To celebrate this milestone, Old Friends held a parade in Mount Juliet. Staff members and community volunteers came together to transport nearly 70 senior dogs a mile down the road, from their old facility to GrandPaw’s Gardens. It was a huge step forward for Old Friends, which has grown from a two-person operation into an internet sensation. Gorman Bechard’s excellent documentary recounts these events, using the parade to GrandPaw’s Gardens as a framing story. Bechard not only interviews Michael and Zina, but also many of the staff, veterinarians, and technicians. Talking with the Goodins and those who have worked under them, a viewer can see the passion all parties have for senior dog rescue. Michael and Zina Goodin, photo from The Tennessean Of course, Bechard also focuses on the dogs, too. Old Friends has a massive digital footprint, regularly sharing updates on Facebook , Instagram , and other social media platforms. Most of these updates are pictures of the senior dogs enjoying their new lives at the Sanctuary. But beyond just pictures, the social media team inserts cute and cool captions with the photos that allow you to get to know the dogs. Perhaps the best-known dog at the Sanctuary was Leo. Found in an alleyway behind a beauty salon in Nashville, Leo would become the face of Old Friends Senior Dog Sanctuary; when he passed, the Sanctuary received flowers from all over the world. Leo, photo from OFSDS Facebook Bechard also, at the documentary’s end, gives tributes to the dogs who passed during production. It’s a very sweet gesture. The documentary also discusses Old Friends’ social media team, a group central to the Sanctuary and their mission. The cute pictures of the dogs have helped increase awareness of the Sanctuary, which in turn leads to more donations which go to help their mission. The documentary reveals that a large part of their donations come from folks donating through social media, particularly birthday fundraisers. I did this once myself. Long-time Old Friends’ fans will love this documentary. Bechard takes viewers to the Sanctuary itself, showing the wonderful people who have dedicated their lives to helping senior dogs enjoy a better quality of life. Seeing them interact with the dogs is a joy to behold. Those new to the world of Old Friends are in for a treat as well. Old Friends, A Dogumentary is currently streaming on Tubi. (And a little birdie told us you can also find it on YouTube!) Shaun Corley is an East Coast pop culture enthusiast who loves to write about everything entertainment. A big, important Screen Rant writer, Shaun has many leather-bound books but they're far outnumbered by comic books and the smell of rich mahogany lingering in the air. Previous Next

< Back Reviews on the Real: Aaron J. Burke’s ‘Phoenix’ Burns Bright Nicole Brice Sep 6, 2024 Share ‘Phoenix’ is a soothing journey through sound with raw emotion. Aaron J. Burke is a singer and songwriter from Ireland. He has gone from recording demos in his room to having frequent airplay on radio stations across his home country and the world. Growing up on a steady diet of rock music, in his twenties, he moved into a more acoustic sound inspired by the rich singer/songwriter scene in Ireland. Aaron has been busy working on his first EP, backed up by the latest release, an acoustic song called ‘ Phoenix .’ ‘ Phoenix ’ is a hauntingly beautiful song reminiscent of tunes by XTC and R.E.M. Aaron’s voice has such raw emotion that it’s peaceful and soothing. Naturally, the day I listened to this track for the first time, it rained outside like crazy. Acoustic tunes suit my mood on rainy days, and Burke has captured the essence of renewal lyrically and musically with a deeply personal and universally relatable piece. Aaron J. Burke said of the lyrical inspiration for the song, “The song 'Phoenix' is over ten years old, so I don't recall the specific events that inspired the lyrics. However, it was written during a dark time for me. I wrote the song as a personal pep talk or motivational thing, but I also wanted it to be well-rounded so everyone could relate.” Credit: Aaron J. Burke The song's arrangement is atmospheric and dynamic, and the music truly resonates on multiple levels. It’s the kind of song that uplifts but also challenges you to reflect on your moments of struggle and triumph. With a new EP in the works, Aaron J. Burke is not rushing the creative process but instead is taking his time. “There is one track left to record for the EP, so I hope it will be released in October.” In the meantime, check out ‘ Phoenix ’ on all streaming services. To learn more about Aaron J. Burke: Facebook Instagram Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next

< Back New Movies Streaming in October Keeley Brooks Oct 4, 2023 Share October ushers in the streaming premieres of Pet Sematary: Bloodlines, Strays, and Haunted Mansion As I said in my New Titles Streaming in October article, October is one of my favorite times of year for many reasons, but mostly because it brings Halloween, a crisp slowing-down season, and the streaming of classic horror movies, such as Halloween , Friday the 13th , and A Nightmare on Elm Street . Even Scream --the original, though. While there is plenty to look forward to this month, October also brings with it a host of new movies streaming on some of your favorite platforms. The $20 million Netflix acquisition Fair Play arrives to steam up screens, and Paramount+ is presenting the exclusive release of Pet Sematary: Bloodlines , the prequel to the classic Stephen King story “Pet Sematary” ... oh, and speaking of pets, Strays also drops on Peacock. I don't know about you, but I'm always down to hang out with cursing dogs. Check out our full list below for the new movies streaming in October! Appendage (Now Streaming on Hulu) Huluween has begun, and it comes out swingin’ with this all-new disturbingly bloody horror feature, Appendage . The feature film follows a young aspiring fashion designer’s rise to the top then sticks with her once things at the top go horribly wrong. When Hannah (Hadley Robinson, of Little Women ) becomes obsessed with the opportunity to become a renowned fashion designer’s assistant, she begins to notice strange growths and abscesses on her body. Since the condition is baffling the doctors she sees, Hannah turns to a support group with the same mysterious condition, but this only opens the door to an entirely new set of problems. The Burial (Oct. 13 on Prime Video) Inspired by true events, when a handshake deal goes sour, funeral home owner Jeremiah O’Keefe (Academy Award winner Tommy Lee Jones, of Men in Black ) enlists charismatic attorney Willie E. Gary (Academy Award winner Jamie Foxx, of Ray ) to save his family business. Tempers flare and laughter ensues as the unlikely pair bond while exposing corporate corruption and racial injustice in this inspirational, triumphant story. The Caine Mutiny Court Martial (Oct. 6 on Paramount+ and Showtime) This flick centers on a naval court-martial (Jason Clarke, of Zero Dark Thirty ) who reluctantly agrees to defend a first officer of the Navy (Jake Lacy, of Carol ) after he took control of a ship from its domineering captain (Kiefer Sutherland, of 24 ) during a violent sea storm. The ensuing trial forces the court-martial to question whether the events aboard the ship are true or not. Fair Play (Oct. 6 on Netflix) This directorial debut from Chloe Domont ( Ballers ) rocked the Sundance Film Festival earlier this year, where it earned critical acclaim and sold to Netflix in a massive $20 million deal. Starring Bridgerton breakout Phoebe Dynevor and Alden Ehrenreich ( Cocaine Bear ), the two play co-workers at a hedge fund who are in a secret relationship. Their bond is tested when her career takes off. This looks to be one smart finance drama doubling as a romantic thriller taking a probing look at sexual passion (and politics) in the post-#MeToo age. Five Nights at Freddy’s (Oct. 27 exclusively on Peacock) Based on the video game franchise of the same name, Josh Hutcherson ( The Hunger Games ) stars as a troubled security guard working his first shift at Freddy Fazbear’s Pizza. During his first night on the job, he realizes his shift at Freddy’s won’t be a walk in the park when supernatural things (a la Willy's Wonderland , minus Nicolas Cage) start happening that drag him into the heart of an unspeakable nightmare. Haunted Mansion (Oct. 4 on Disney+) While’s the Haunted Mansion reboot didn’t break the box office this summer, it is slated to find new life with its debut this month on Disney+ just in time for Halloween. Rosario Dawson ( Ahsoka ) is a single mother who moves into a haunted house and recruits a tour guide, a psychic, a priest, and a historian to exorcise it of all the ghosts still living there. The ensemble class includes LaKeith Stanfield ( The Changeling ), Tiffany Haddish ( The Afterparty ), Owen Wilson ( Loki ), Danny DeVito ( It's Always Sunny in Philadelphia ), Dan Levy ( Schitt’s Creek ), Jamie Lee Curtis ( Halloween franchise), and Jared Leto ( Morbius ). My teenaged nieces saw it and gave it a thumbs up: “It was pretty funny,” they said. So there you have it, straight from the word of today's youth. The Mill (Oct. 9 on Hulu) Starring Lil Rel Howery ( Get Out ), The Mill is a sci-fi thriller about a businessman who wakes up beside an ancient grist mill situated in the center of an open-air prison cell with no idea of how he got there. Forced to work as a beast of burden to stay alive, he must find a way to escape before the birth of his child. Will he survive? Old Dads (Oct. 20 on Netflix) When a middle-aged father and his two best friends sell their company to a millennial, they soon find themselves out of step and behind the times as they struggle to navigate a changing world of culture, career, and fatherhood. This Netflix comedy stars Bill Burr ( Breaking Bad ), Bokeem Woodbine ( Queen & Slim ), Bobby Cannavale ( The Watcher ), and Rachel Harris ( Bad Words ). Old Dads is also written and directed by actor/comedian Bill Burr. Totally Killer (Oct. 6 on Netflix) The second feature from Nahnatchka Khan ( Always Be My Maybe ), Totally Killer kind of sounds like a cross between a classic slasher flick and Back to the Future , minus Michael J. Fox and that sweet 80’s soundtrack. Kiernan Shipka ( The Chilling Adventures of Sabrina ) stars as Jamie, a woman on a trip back to 1987 to prevent the murders of her mother (Julie Bowen, of Modern Family ) and her friends, who fell victim to a masked killer. Also stars Randall Park ( Fresh Off the Boat ) and Lochlyn Munro ( Riverdale ). Pain Hustlers (Oct. 27 on Netflix) After directing seven Harry Potter -related movies, Director David Yates turns his attention to the real world, taking cinematic revenge on the rare fentanyl-dispensing pharma company punished for breaking all the rules. Emily Blunt ( A Quiet Place ) stars as Liza Drake, a struggling mother who lands a job at a pharmaceutical start-up to make money for her sick daughter. However, Liza has no idea the company is a failing, fully-fledged illegal business, and she swiftly finds herself stuck in the middle of a racketeering scheme. Andy Garcia ( The Godfather ), Catherine O’Hara ( Schitt’s Creek ), Jay Duplass ( Somebody Somewhere ), Brian d’Arcy James ( Spotlight ), and Chloe Coleman ( My Spy ) co-star. Pet Sematary: Bloodlines (Oct. 6 on Paramount+) In a tis-the-season offering, Paramount+ is treating Stephen King fans to the exclusive release of Pet Sematary: Bloodlines , a prequel to King’s original story, “Pet Sematary.” In 1969, a young Jud Crandall has dreams of leaving his hometown of Ludlow, Maine, behind but soon discovers sinister secrets buried within and is forced to contront a dark family history that will forever keep him connected to Ludlow. Banding together with his childhood friends, Jud must fight an anciet evil that has gripped Ludlow since its founding, and once unearthed unearthed has the power to destroy everything in its path. Strays (Oct. 6 on Peacock) Even though this blast of a comedy has been available to rent/purchase since September, it's finally hit a streaming platform for those of you who've been waiting for it to do so. When Reggie (Will Ferrell, of Old School ) gets abandoned by his dirtbag owner, Doug (Will Forte, of The Last on Earth ), the naive but lovable pup falls in with a gang of strays that include a foul-mouthed, street-wise Boston Terrier named Bug (Jamie Foxx, of Django Unchained ), an Australian Shepherd named Maggie (Isla Fisher, of Borat ), and a therapy Great Dane named Hunter (Randall Park, of Young Rock ). Together they embark on an epic adventure to get Reggie home so he can make Doug pay for what he's done. The solution: Reggie plans to bite his d*ck off. Can't say I blame him. Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for entertainment consumption and an uncontrollable urge to write about everything she watches, even if it sucks. Previous Next