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reviews on the real Dec 14, 2024 Reviews on the Real: Mi’Kael Chalyce’s ‘Faded Love’ is an anthem for anyone who has experienced heartbreak ‘Faded Love’ is a hypnotic and soulful song full of strength. Read More Dec 14, 2024 Reviews on the Real: Voice of the Enemy’s Mannequin of Misery: Volume 1 EP Voice of the Enemy is back with an EP full of head-nodding rhythms. Read More Nov 22, 2024 Reviews on the Real: Doctor Nez’s ‘High Desert Lows’ ‘High Desert Lows’ is an EP full of songs that speak of truth. Read More Nov 13, 2024 Reviews on the Real: Rise Not Fall by Aaron J. Burke ‘Rise Not Fall’ is an expertly crafted acoustic EP full of emotion. Read More Oct 30, 2024 Reviews on the Real: XIII Minutes ‘Pitiful’ is a Hard-Hitting Reflection on Overcoming Adversity ‘Pitiful’ sets a new direction for the music of XIII Minutes. Read More Oct 1, 2024 Reviews on the Real: Run for Cover by Aaron J. Burke ‘Run for Cover’ is an evocative track with introspective lyrics. Read More Sep 26, 2024 Exploring Darkness and Depth: A Review of Dark Miles’ 10 Miles Into the Dark 10 Miles Into the Dark is a carefully crafted journey. Read More Sep 16, 2024 Reviews on the Real: Jared Daws Invites Us Back to Appalachian Roots with Soulful New Single ‘Come on Home' ‘Come On Home’ is an upbeat and heartfelt anthem. Read More Sep 6, 2024 Reviews on the Real: Aaron J. Burke’s ‘Phoenix’ Burns Bright ‘Phoenix’ is a soothing journey through sound with raw emotion. Read More Aug 20, 2024 Reviews On the Real: Everfelt Soars with New Single ‘Reach’ ‘Reach’ is a powerful exploration of longing and hope. Read More Jul 30, 2024 Raw and Real: Running from Shadows Strikes a Chord with Their New Track ‘Okay, I Get It’ is a trip through the glory days of 90s music. Read More Jul 13, 2024 Breaking Free: A Review of ‘These Chains’ by Byron Daniel and the Five Dead Dogs ‘These Chains’ is an amalgamation of everything good in music. Read More Jul 9, 2024 Unearthing Depths: A Review of Eldergrey’s New EP ‘Well of Souls’ Eldergrey's debut plunges into the abyss with pounding riffs and haunting melodies. Read More Jul 5, 2024 Chris Pryor and The Main Event Hit the Ground Running with Debut Single Chris Pryor & The Main Event melds classic rock riffs with soulful country vibes for a solid first release. Read More Jun 26, 2024 Exploring XIII Minutes’ Bold New Track: ‘Cult Leader’ XIII Minutes delves into the dynamics of power and influence on their latest offering. Read More Jun 24, 2024 Oceans of Slumber Unveils a Bold New Chapter in Progressive Metal ‘Where Gods Fear to Speak’ delivers a powerful blend of melancholy and majesty. Read More Jun 21, 2024 Roger Ricks Confronts Inner Turmoil in New Single “Demons” “Demons” is a deep dive into personal struggles and triumphs. Read More Jun 17, 2024 Exploring Escapism: Hawthorne Oachs’ New Single is a Compelling Tale of Freedom Runaway Bunny is an epic tale of strength and resilience. Read More Jun 6, 2024 Reviews on the Real: JAELYN Journey into cosmic malevolence with JAELYN's latest single Read More Apr 24, 2024 From Blue Ridge to California: The Musical Journey of Nick Sabia Nick Sabia’s new release “Back East” is a peaceful trek through nature. Read More

< Back Reviews on the Real: Voice of the Enemy’s Mannequin of Misery: Volume 1 EP Nicole Brice Dec 14, 2024 Share Voice of the Enemy is back with an EP full of head-nodding rhythms. Groove metal is currently alive and well in south Louisiana. This latest release from Louisiana’s own Voice of the Enemy is full of rhythms that will have your head nodding non-stop. Released on December 14, 2024 , Mannequin of Misery: Volume 1 marks a striking return for a band that has been on hiatus for a few years. Released December 14, 2024 The first single, ‘ Combustion ,’ was released on November 29, 2024, and was an excellent teaser for this monstrous masterpiece of an EP that was forthcoming. With vocals reminiscent of Rob Halford , ‘ Combustion ’ is a song with so many layers and textures that you can’t help but be intrigued to hear more, and that’s exactly what it did for me leading up to the release of the full EP. Mannequin of Misery: Volume 1 opens with ‘ Redemption Song ’ – a track that starts with a groove in the melody from the get-go with a faint build to a thematic opening. The guitar in the beginning part is so clean. The production of this song is so clean. Holy crap. Head nodding right off the bat. After the killer opening track is ‘ Intentional ’ – a song that begins with a powerful scream that sets the tone for a fast-paced head-nodding extravaganza . Voice of the Enemy truly brings the “groove” to groove metal with this track. While the band bio describes their music as thrash , this EP proves they have evolved past that. Up next is ‘ Time in Hell ’, which is a bit of a departure from the deep grooves shown in the prior tracks. It begins with an instrumental opening that is so intense you are waiting in anticipation for what’s next. When the vocals start, it intensifies until the chorus hits you with a gut punch—an enjoyable track. Ending the EP is ‘ Execution ’ – a hard-hitting, thunderous, fast-paced ride of aggression. Reminds me of old Judas Priest . It's a fun song. While Volume 1 doesn’t shy away from the expected heavy metal influences—such as breakdowns, chugging guitar riffs, and fierce drumming—the infusion of some more progressive sounds truly sets the EP apart and shows that Voice of the Enemy is indeed back and ready to take on the scene. Stream Mannequin of Misery: Volume 1 now on your favorite streaming platform and be sure to catch Voice of the Enemy LIVE in January. Check their social media for more information and dates. For more info on Voice of the Enemy : Facebook Voice Of The Enemy | ReverbNation Voice Of The Enemy (@voiceoftheenemyband) • Instagram photos and videos Stream Voice Of The Enemy music | Listen to songs, albums, playlists for free on SoundCloud YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next

< Back Reviews on the Real: Mi’Kael Chalyce’s ‘Faded Love’ is an anthem for anyone who has experienced heartbreak Nicole Brice Dec 14, 2024 Share ‘Faded Love’ is a hypnotic and soulful song full of strength. Every once and a while, an artist will release a song that is so potent and so powerful it knocks me on my butt. Enter the latest from Nashville musician Mi’Kael Chalyce . Released December 14, 2024 ‘ Faded Love ’ begins with a captivating melody, the soulful vocals setting the stage for a powerful narrative. As the lead vocals take over, you find yourself immersed in a deeply emotional journey, a journey of love lost and the path to healing. Mi’Kael's songwriting skillfully captures the raw emotions of a breakup and the struggle to move on. If you've ever felt the sting of heartbreak, this song will resonate with you. ‘ Faded Love ’ is a beautiful exploration of the complexities of heartbreak and lost love. "When I found out I was pregnant with my youngest daughter it was in the midst of attempting to end an emotionally abusive relationship that had recently become physical. I found the strength to leave her biological father before she entered this world, but I’ve never looked back. Now two years later I am trying to decide how to pick up the pieces of my life when I’ve essentially blocked all the pain out of my mind trying to focus on my present happiness. All that is left now are echoes of a faded love hence the song’s name, Faded Love." You start feeling every note sung as Chalyce’s vocals become more potent. It’s true that as Mi’Kael sings, “ How can I pick up the pieces when I’ve blocked it out of my mind? ” you start to reflect on and feel the pain in her words. Credit: Photo provided by artist The song's production is minimalist yet impactful, with subtle instrumentation that allows the emotional weight of the lyrics to shine through. ' Faded Love ' was recorded at Grinding ENT Studios in Ellenwood, GA a suburb of Atlanta, GA, and was a collaboration between Mi'Kael Chalyce, Dorrell Smith , and Beats by Dre . The layered harmonies and gentle melodies create a dreamy ambiance, which contrasts nicely with the bittersweet nature of the song’s theme. Mi’Kael Chalyce is one of the many underground treasures in the music industry currently, and her songwriting speaks volumes. In March 2024 , we sat down with Mi’Kael for an in-depth interview , during which she shared her inspirations, her creative process, and more, and we have been a fan ever since. Overall, ‘ Faded Love ’ is a deeply emotional and compelling piece showcasing Mi’Kael Chalyce’s vocalist and songwriter talent. "This will be my first and only release this year and it wasn’t easy deciding on one that was special enough to share. This song feels ideal because ending the relationship the song discusses was a catalyst for The Reinvention — album coming in 2025." I cannot wait to hear more from this talented songstress in the future—Stream ‘Faded Love’ now on your favorite streaming platform. For more information on Mi'Kael Chalyce: www.mikaelchalyce.com Mi'Kael Chalyce Home page of Mi'Kael Chalyce, a R&B/Soul artist from Atlanta, GA. Mi’Kael Chalyce’s songwriting conveys trauma, mental health, and emotional evolution. Her goal is to create music that targets real-life relationship constructs, and those unspoken paradoxe www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next

Staff Nicole Brice Editor-in-Chief, Managing Editor, Digital Content Editor, Head Writer, Marketing Director, Brand Manager, Producer/Host "Reviews on the Reel", Producer/Host "Unscripted Verbiage" the_nicolebrice@mixedaltmag.com www.Amazon.com/author/nicole_dewey_brice Nicole Brice is a Veteran, former college radio DJ, published author, owner of MAM and she’s a total music snob. She has been since age 7, when she became obsessed with music upon first hearing Depeche Mode. Located in Baton Rouge, La., she likes the obscure things that people haven’t heard, as well as the things that rock. She likes to go against the grain and against the norm and challenge mainstream ideals and beliefs. With a background of over 15+ years in Marketing & Advertising, she hopes to bring her vision of a free artistic space to life with MAM. Never being one to follow, she likes to research things on her own. With an extreme love for the aesthetic of music & art merged, she is obsessed with fashion – but not just any fashion; it must reflect her punk rock / grunge style and be different from the norm. Bright colors, bright patterns, and a mixture of many textures is what draws her in. Nicole’s also a hardcore wrestling fan and a former Diva’s Champion. Don’t believe it? She has the belt to prove it and the smacketh is often laid down on those who make her angry with no mercy. She wants to draw attention to and put focus on those who create in hopes of banding together to spread a message of love and unity in a world so divided by hate. bud gambrell Lead Photographer - North Alabama Region / Music Writer "Off the Charts" www.bgambrellphotography.com Bud Gambrell is a published author and music photographer located in Hazel Green, Alabama, and we are beyond excited to have him on our team. Bud first discovered his love for live music in 1976 when he was captivated by the atmosphere at a KISS concert. Since then, he has attended many other shows featuring both local and national acts and has been producing content for concert reviews via Sound Check Entertainment, UnRated Magazine, Sonic Perspectives, and AL.com. Bud’s passion for photography began at a young age when he started out as an amateur shutterbug. Known for his stunning crispy images in and around North Alabama, Bud continues to photograph many notable acts and recently published his first book about the much-loved Side Tracks Music Hall, which was located in Huntsville, Alabama. The book is currently available on Amazon.com. tim jackson Entertainment Writer www.clippings.me/timwjackson Tim is a seasoned journalist and author with a penchant for all things dark, macabre, and somewhat sinister. But we promise he doesn't bite. He's a freelance communicator who likes to tell all kinds of stories with words, photos, and video, and he has extensive experience working in traditional media (newspapers, magazines, and book publishing). With an MFA in Creative Nonfiction from Goucher College and a B.A in Communication from the University of Alabama, he loves storytelling by any method. A native of Russellville, Alabama, Tim currently lives in Tuscumbia with his wife, Taryn, who has an affinity for tarot cards, and their dog, Maple, who has an affinity for chewing remote controls. Don't let his clean looks fool you, though; he fits right in with our cool-kid shenanigans. jeff crespi Lead Photographer - New Jersey Region www.jeffcrespirocks.com Jeff Crespi is … well … he’s a riot; can you not tell? No way we were gonna pass on having him come play in our sandbox. Jeff is an award-winning professional concert photographer out of New Jersey covering hundreds of shows each year. He’s the house photographer for the legendary Stone Pony and Asbury Lanes in Asbury Park, NJ, and he is one of the house photographers at Starland Ballroom in Sayreville. He’s also the winner of the Asbury Music Award Top Music Photographer five years running. Expect some badassery from this one. gary governale Lead Photographer, Videographer BR & NOLA Regions / Music Writer www.GovernalePhotoVideo.com Gary has been working as a video professional since grunge kicked the door down on rock radio, then he picked up his Nikon just a few years later. A lifelong music enthusiast, Gary enjoys band photography and album art just as much as the music itself. He’s a big fan of any-and-all rock ‘n roll, including classic rock, punk, alternative, and hard rock, but he certainly enjoys some jazz and classical vibes when it’s time to relax. He has been serving as band photographer for Christian Rock group, Empowered, including directing, shooting, and editing one of their music videos. When not following the band around or toiling away at his regular video job, Gary spends his time lamenting the loss of the local record store-shopping experience. He is located in Baton Rouge, LA. ezekiel "zeke" kincaid Entertainment Writer https://www.amazon.com/Ezekiel-Kincaid/ He looks scary, but we promise he’s not. He does write scary stuff though, and we can vouch for his filthy, incredible talent. Zeke is known by his fans as “The Paranormal Pastor” or “The Pastor of Horror” because, well, he’s a fantastic horror author with over 20 years in ministry. He’s also a paranormal investigator with some pretty incredible experiences, and because of all of that, he brings a unique and original touch to the dark fiction genre. His writings run the gamut of human existence, and he likes to write in various styles and voices to allow his tales the narration and visceral characters needed to make the words jump off the page. And jump, they do. Right in your face. The only other language he’s fluent in is sarcasm, which explains why he’s such a perfect fit with us. With three theological degrees, a romantic side, and an affinity for martial arts, he’ll fight anyone who says they don’t like Bruce Campbell. seth thomas Co-host "Unscripted Verbiage" http://therageonline.com/ https://www.listentotheplanet.com/loud-hour Seth Thomas is the host of the Louisiana LOUD Hour on Planet Radio 106.7, a popular Rock station based in Lafayette, Louisiana. Known for his deep passion for local music and energetic on-air presence, Seth curates a high-octane mix of Rock, Metal, Punk, and Independent, and Alternative music, delivering a raw and authentic listening experience. He has become a prominent voice in the local rock scene, engaging with fans through interactive segments and supporting local bands by giving them airplay and exposure. Seth’s dedication to the genre and his connection with the community have made the Louisiana LOUD Hour a must-listen for rock enthusiasts in the area. In addition to the LOUD Hour, Seth recently launched his own indie station called The Rage. The Rage is available in the Apple App store as well as on Google Play, so go download your new rock animal today! kimberly bryant Music, Comedy, and Entertainment Writer http://www.youtube.com/@popculturegreenroom Kimberly is an experienced entertainment writer and media personality, known for her insightful take on pop culture and the entertainment industry. She earned her bachelor’s degree in Broadcast and Journalism from Southeastern Louisiana University, where she began her career as a sports reporter for The Southeastern Channel. After relocating to San Diego, CA, for 12 years, Kimberly delved deeper into the entertainment world, following in her family's footsteps in film, television, and theater. As the co-host of The Pop Culture Green Room podcast and YouTube channel, she covers the latest in celebrity news, reality TV, and current events. Her sharp commentary and engaging style have also landed her appearances on TMZ , where she shares her expertise with a national audience. When she's not hosting or writing, Kimberly enjoys exploring new facets of the entertainment industry, connecting with her audience through various media platforms, diving into new trends, working out, staying healthy, and spending time with her dog Lucy. corey nichols Creative & Promotions Designer Corey Nichols is a multi-talented artist and business owner based in a small Louisiana town. His journey began with simply a pencil and a love for art and drawing. In 2016, Corey began his career in the tattoo industry, using his experience in drawing and illustration to develop a natural talent for tattooing. Learning from the popular tattoo artist, Micro, Corey honed his skills and acquired the iconic Burning Lotus tattoo shop. Known across Louisiana, Burning Lotus has earned the prestigious Best of 225 award for "Best Tattoo Shop" four years running, solidifying its reputation in the tattoo game. Motivated by a desire to expand his creative horizons, Corey recently embarked on a new journey—Painterly Portraits. What began as a few commissioned pieces for charity auctions quickly evolved into a potential business. Through Painterly Portraits, Corey channels his immense love for art, creating each portrait with deep passion and precision. His goal is to inspire others by sharing his work with the world and bringing his vision to life. View More

< Back Juan Blak's Interpretation of Tina Turner's "One of the Living": A Powerful Metal Metamorphosis Erica Machen Oct 27, 2023 Share Juan Blak’s version of “One of the Living” mesmerizes with outstanding vocals that evolve into an eargasmic blend of metal and industrial rock. "You're one of the living, and if we can't stick together … " These words echo with profound resonance as Juan Blak brings this sentiment to life. He not only captures the essence of these lines but embodies their message in a remarkable way. By uniting a diverse group of living music artists for a cover of the late Tina Turner's "One of the Living" , Juan Blak achieves something magical. It is truly a bewitching auditory delight. Over the course of roughly 22 years, Juan Blak been a part of the heavy metal scene in Los Angles, Calif., and later in Indianapolis, Ind. He reveals that his relocation to Indianapolis has yielded more musical progress than any of his time spent in Los Angeles. The connections made through his journey with his band BlaK SundaY and his own ever-evolving talent culminated in this incredible collaborative cover, redefining the sound of the rock anthem. Photo provided by artist This bold undertaking features Juan Blak on lead vocals, AIR-IK of Willow Wisp on guitar, Gene Migaki of Thorns of Sin on bass, Justin Hall of Artificial Zero and Synkhole Studios producing. What was once a classic rock song with outstanding vocals has now evolved into an eargasmic blend of metal and industrial rock. The infusion of heavy bass lines, symphonic vocals, and just the right touch of synth elements offers listeners a fresh perspective on the lyrics. GROUP As I sat astonished at what my ears were hearing, the lyrics took on new meaning to me. What once brought on the thoughts of Mad Max ’s post-apocalyptic world and survival now brings on the feelings of surviving life in the present. The depths of the lyrics are pushed by Blak’s force of a voice as the heavy instrumentals and synth deliver like a stake right through the heart of listeners. Lines like "They always said that the living would envy the dead" tug at the weariness of the human experience, yet ultimately inspire us to persevere. In this death metal-inspired rendition, Blak's unique baritone sound and tenor range shine, with hints of Chino Moreno from Deftones, making "One of the Living" an extraordinary listening experience. Even if you've never considered yourself a fan of metal, this cover demands your attention and leaves little room for disappointment. Blak's talent and vision are undeniably a force to be reckoned with in the music world. Photo provided by artist Blak mentions that a music video for "One of the Living" was in the works but was temporarily sidelined by his commitments with BlaK SundaY . The band remains his primary focus, as they are set to release their new album, "Songs of Love, Death & Revolution", on Halloween. With live performances, recording sessions, and jam sessions, Blak's solo project serves as a fun creative outlet for him as well as an avenue for exciting collaborations with friends. In anticipation of their album release, BlaK SundaY has already shared a couple of videos, "11:59" and a cover of Sisters of Mercy's "Lucretia, My Reflection" . https://youtu.be/ZPyLz_dNeaY?feature=shared Whether you explore Juan Blak as a solo artist or immerse yourself in the sonic world of BlaK SundaY , you're in for a musical journey that's bound to leave a lasting impression. Don't miss the chance to witness his artistic prowess unfold. Check out his links below! https://juanblak.bandcamp.com https://youtube.com/@JuanBlaktv https://patreon.com/blaktv Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. Got something for her? Reach out to erica.mixedaltmag@gmail.com . Previous Next

< Back Electric Age: Reinventing Sludge Rock with No Rules Nicole Brice May 16, 2023 Share Drawing inspiration from Southern roots Southern rock is distinct and heavy. Southern rock also has soul and can be very melodic at times and that is exactly where the music of Electric Age fits in. Formed in 2011, Electric Age is a southern sludge rock band out of Louisiana comprised of local music mainstay, Jason Ogle on bass, Shawn Tucker on guitar and vocals, and Kelly Davis on drums. With influences such as Corrosion of Conformity, Black Sabbath, Pantera, and Led Zeppelin these guys are forging their own path in the oversaturated music scene with their nonconformist approach to making music on their own terms. Paying attention to the artistry of the music rather than making tunes that are catchy, Electric Age’s songwriting approach is a refreshing nod in an industry full of prefabrication. credit: Gary Governale With prior projects such as Execution, Guilt Trip, and Slaves of Freedom, Electric Age’s Jason Ogle adds a veteran touch to the band on bass. Vocalist Shawn Tucker’s previous projects include Soul Erosion and Black Market Halos and his southern rock vocals show hints of influence from Dax Riggs amongst other notable southern vocalists. Kelly Davis’ savage skills on the kit round it all out and brings the sound full circle. The band has released three albums, Sleep of the Silent King (2016), Live at the House of Blues – Nola – EP (2017), and Painter of Saints (2022) with all being heavy, melodic, and just plain incredible. credit: Gary Governale - the band performing at Chelsea's Live in Baton Rouge May 6, 2023 Getting ready to begin work on their third album, I recently had the pleasure of taking these gentlemen to breakfast where we sat down and chatted about anything and everything. Personality, precision, and sheer talent are what makes the music of Electric Age so enjoyable, so sit back and dive into this entertaining conversation and then be sure to go stream all their music. MaM : Thank you for sitting down with me today. I was listening to your music on iTunes, because I’m an Apple girl and prefer it to Spotify and have a few notes I’d like to share with you about it. “The Threshold” – love it, “Priestess- Part 1” – wow, amazing! EA : ::in agreement:: Yeah, that’s all Shawn. MaM : Painter of Saints, the song = could be a soundtrack for WWE Monday Night Raw or an action film. Painter of Saints - released February 11, 2022 EA : (laughter) MaM : I’m a wrestling fan, so that’s why that popped into my brain. (laughs) Shawn : We’ll take it. MaM : Seriously, though, that song is so action packed, I could see it being on a soundtrack. Oh, and “Soothsayer” – ripping off Kashmir a little bit? (laughs) Jason and Shawn : We called it “Kashmir” when we were writing it. (laughs) Shawn : You don’t hear that too much. Just people straight ripping off “Kashmir”. MaM : My husband was sitting next to me and goes, “Are you listening to Zeppelin?” EA : (laughter) MaM : …and I go, “Noooo”. He goes, “Why does that sound like ‘Kashmir’?” and I pulled up the actual song and did the comparison and was like, “Holy crap”. Shawn : Yeah Jason : We talked about doing it. We were like, “You know what?”. Shawn : Yeah, you don’t hear too many other people using those chords. That’s why it’s so recognizable. Kelly : The white board in the room during recording, on it the song was called “Kashmir”. MaM : What was the inspiration behind having a song that sounds so close to the original? As far as the riff…I mean, it does, but it doesn’t. It’s that riff. Shawn : We didn’t really think too much about it, honestly, we had the riff and were just like, alright. Jason : We didn’t really make a decision like “ok, we know it sounds like that”, but we do love Led Zeppelin, so why not do it? credit: Gary Governale - Jason Ogle MaM : Well, yeah, of course. It’s a tribute to a legendary band. Shawn : We do a lot more power chording than Zeppelin ever did in that song. MaM : Also, the production sounds great. Who mixed it? Jason : I did all the mixing, but I didn’t mix the first album. MaM : You guys are a solid rock band that is hypnotizing in moments because of your breakdowns in songs. EA : Thanks credit: Gary Governale - Shawn Tucker MaM : COC with soulful vocals, too. I hear the Corrosion influence a good bit, which is awesome. You don’t ever hear people saying Corrosion is such a powerful influence on them with their sound. Jason : Oh yeah, definitely for us. MaM : I used to be obsessed with Pepper Keenan in high school. Don’t ask me why, though. (laughs) Jason : Most reviews we’ve gotten have been COC, Thin Lizzy. Shawn : Down, of course, too. It’s in the water, you can’t get away from it honestly. MaM : Well, yeah, it’s all part of the whole southern metal scene and culture. Shawn, your vocals are incredible, and you have such a soulful voice. Kelly : I tell him daily. (laughs) Shawn : Thank you. Jason : The first record was his first-time doing lead vocals. MaM : Really? Shawn : Yeah, I didn’t start singing until 12 years ago. credit: Gary Governale - Shawn Tucker MaM : So, have you had any formal vocal training, Shawn? Shawn : Well, I’d sing in the room, but no not really. One day I just started picking up the acoustic guitar and started singing. And then I practiced for two years straight before I ever did anything. MaM : Origins of the band. How did the band form? Jason : It’s a funny story. Kelly : It’s one of those stories where we all say, “We’ve got to get together and jam”. We ran into each other at a Slayer concert, and we actually did get together and jam. credit: Gary Governale - Kelly Davis MaM : So, you all already knew each other? Jason : I called Shawn and said, “Man, I really want to go see this show.” And it was Slayer, Anthrax, and Megadeth. MaM : What year was this? Jason : 2010? 12? We’ve been together 10 years now, but Shawn was kind of hesitant to go, but he rides with me, and I hadn’t seen or talked to Kelly in years. We had gone to high school together, but anyway, we’re in the beer line and that’s when we saw each other and thankfully, The Facebook is how I found you. MaM : I love how you call it “The” Facebook. (laughs) Kelly : Everybody always says, “We should get together”, but we actually did it. Shawn : Well, you started jamming together first ::looks at Kelly::. Jason : Yeah, we started jamming and actually Matt Dupre of Big Frank. MaM : I know Matt, I went to high school with him. Jason : Yeah, he goes, get Tucker to sing and I was like, “Man, he’s not gonna do it” and then you said… ::looks at Shawn:: Shawn : I’ll do it with a guitar in my hand. credit: Gary Governale MaM : And that’s just how it came to be. Jason : Cause I wanted to be the guitar player and I got kicked back to bass. MaM : You got kicked back to bass, so you don’t enjoy being a bass player? Jason : I didn’t at the time. MaM : Well, what about now? Jason : Well, now I do. It’s kind of like a ZZ Top type of metal thing. It’s a 3-piece. MaM : Well, and then the beards. (Kelly and Shawn have similar beards) Kelly : (laughs) credit: Gary Governale MaM : So, last release was just in February 2022, but as far as new music…what’s the direction for the band going forward? Jason : The first record was written as a concept record because Shawn had this vision and it was a big undertaking to make the first album, and it’s over an hour long and some of it was written with me on guitar. The second record sounds more like what we sound like now. On the first record, we hadn’t played a lot of shows and the third record will sound more like the second. MaM : So, would you say the second record defined your sound? Jason : Definitely. The 3-piece sound. The first record is so orchestrated. Some of the songs on the first record we can’t even play live, so we just don’t. Because they’re too complicated. We just can’t with 3 people. It was a concept record, so we didn’t hold back. We weren’t worried about whether we could play it live. When we do albums, we have album tracks. We know certain songs we can’t do live, but we don’t care. We’re making a piece of art. Kelly : It’s got keyboards, tambourine. Jason : Dog whistle? MaM : Cowbell? EA : More cowbell, please? (laughs) Jason : We have not used a cowbell yet. We’ve used beer bottles once. Shawn : Yeah, that was a failure. Jason : And the guy that made the record said, “Uh, no.” (laughter) credit: Gary Governale MaM : As far as the creative process, how do you come up with songs? Take me through that. Shawn : Different methods. For the first record, I demoed a lot of songs on an acoustic guitar and a little Tascam recorder and that worked, but now, Jason will bring a riff and I’ll bring a riff, or we’ll listen back to a recording of us jamming and then we’ll go over it, but there’s not really no set rules. It just kind of happens. A lot of times, we just write in the moment. While we’re jamming. Spontaneous. Kelly : Yeah, a lot of times, it’s just a free jam session and then we’re like, “What are we doing”? MaM : As far as lyrical inspiration…what inspires your lyrics? Shawn : I guess it’s more poetic and abstract, the way I write. The first album, no one knows what it’s about. That’s kind of a running joke. There’s no real meaning. It’s real ambiguous, but it’s up to anyone to decide what the song is about. Kelly : In fact, that’s what he told me one day. I was like, “Dude, I was listening to ‘Sleep of the Silent King’ and when you say this…what does it mean? “Uh…it’s open to interpretation”, he goes. (laughter) Shawn : That’s the beautiful thing about art, though. You can make it whatever you want. MaM : ::kind of hesitant:: May I ask what the title of the new album is? Shawn & Jason : We don’t know yet. Jason : Yeah, we have no idea. Shawn : We’re not done writing songs yet. We have quite a few written, but they just haven’t been working. credit: Gary Governale MaM : So, when are we expecting a completion date? Jason : We actually just signed to Argonauta Records again. They released our first record. Label out of Italy and they are going to take care of distributing it. We don’t want to rush the record, though. We’re pretty close, though, and my studio is set up, so we have plenty of time to record it. We’ll knock it out quick, though. MaM : So, you mentioned studio? Tell us a little more about that? So, you built your own studio at your house? Jason : Yeah, pretty much. Volume 10 Studios. I’m doing Branded for Exile’s record right now. I’ll be wrapping that up soon. But I’m fully functional. Ready to be recording bands and I’ve been recording since…I was always the guy that recorded. Whether it was a jambox or a phone, I was the guy putting it in the right spot and all that. MaM : Now, I want to know…of all the shows you guys have played, have there been any funny happenings or stories you could share? Jason : Kelly pissed off Meat Loaf’s daughter. (laughter) Kelly : Oh yeah, I can tell you that one. MaM : Oh, now I have to hear about this one. Kelly : We were playing at the Varsity and I’m stuck unloading everything by myself and I get it all in and then I decide to go sit outside. We’re opening for Anthrax and all of a sudden, a car comes zooming in and they block me in. I’m like “ah, man…what is this” and so I’m boxed in. Suddenly, I see Scott Ian and Meatloaf’s daughter, which is his girlfriend, start walking up to their tour bus. Nowhere am I thinking about this dude being like my high school idol, instead I’m like, “Hey dude, is your car going to stay there all night?” (laughs). Scott Ian, though, super cool goes…”I don’t know, talk to my girlfriend” and he goes in the tour bus and she comes up and says, “Oh, I have to go get the guys some food and I’m going to be in and out all night, but I’m going to be moving it” and so I tell her that I’m going to just get out of her way, right? It’s crazy, though, because there was Scott Ian. So, I tell Jason and Shawn about the story, and they go, “So you cussed out Scott Ian’s wife?” and I said, “No, I just asked her if she was going to move her car” and they’re like, “You were yelling at her, right?”, but the legend is that I cursed her out and there was a confrontation. (laughter) It just sounds cooler. Jason : There was one time they left me at TSA by myself. (laughter) Jason : When you left me at the airport? ::looks at the guys:: I bought an amp I could fly with and so I had the amp in my luggage and I didn’t unload all my electronic devices and when they slid it through the x-ray machine, it looked like a bomb. TSA grabbed me and I looked up and the guys kept walking and just left me. Kelly and Shawn : We didn’t know. (laughter) Shawn : I didn’t know you brought a bomb, bruh. credit: Gary Governale MaM : So, memorable shows…are there any shows that are memorable you have played? EA : Anthrax…Crowbar and Goatwhore at the House of Blues. Shawn : Oh, and the Acid Bath benefit show at Twist of Lime after the flood. MaM : What was this benefit show? I must have missed this. Shawn : It was a benefit show after the flood of 2016 and Jason played bass in Acid Bath with the original members and Ben Michon filled in for Sammy, because he was on tour. Jason : We played a set, though, but they had these jam sessions, too with everyone. It was fun. MaM : I can’t believe I missed that. So, as far as bands you have not played with, but would like to…who are they? Jason : I know of one. COC. MaM : COC comes here a good bit, too. Jason : We had King’s X. Shawn : Yeah, we were gonna play with King’s X except COVID got us. MaM : I remember King’s X was going to be at The Varsity. Shawn : Yeah, we were on that show. credit: Gary Governale MaM : As far as the state of local music now vs then, do you think things have changed for the better or worse? Of course, things are different post COVID, but things are starting to look up. Jason : It’s worse. The all ages shows, I mean…I don’t understand why they don’t have all ages shows like they used to. We used to have them all the time. I don’t see any bands doing that anymore. All you have to do is go rent a civic center. There’s really no venue, though, for the all ages shows…I mean, Mid City ballroom, but… MaM : So as far as aspirations for the future, where do you guys see the band headed? Jason : I think we all agree that we’re comfortable right where we are…writing records and putting out music. We like to play shows, but we just kind of pick what we want to play. With no pressure, it’s fun. Shawn : Yeah, it’s just about creating at this point. MaM : Any parting words or anything else we can let our readers know about you? Shawn : We’re just out here having fun and if people like what we’re doing, that’s an added benefit. Kelly : We’re just good friends. Jason : Yeah, we’re not just a band, we’re a family. - To experience all that is Electric Age, be sure to hop on over to their Spotify and then download their tunes via Apple Music. Be sure to check them out on social media, too, and give them a like and follow. Electric Age (facebook.com) Jason Ogle (@electric_age) • Instagram photos and videos Electric Age (bandcamp.com) Electric Age | Spotify ‎Electric Age on Apple Music Argonauta Records - YouTube Nicole Brice likes music, but it must be good music. Got something you think she’d dig? Shoot it her way at the_nicolebrice@mixedaltmag.com . Cover photo courtesy of Gary Governale www.governalephotovideo.com Previous Next

< Back Gino V.: Redefining the Music Scene with Rhythm and Soul Nicole Brice Oct 20, 2023 Share Gino V’s unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. In South Louisiana, we have a rich musical landscape with bands playing many genres of music. From rock to zydeco to metal and everywhere in between, the market is saturated with talented individuals all looking to showcase their craft to the masses, and in the ever-evolving landscape of music, there are those rare individuals who possess the talent and vision to create something truly unique. When I first stumbled upon the Gino Vallecillo (aka Gino V.), I was blown away because it was unlike anything I’d ever previously heard, and it did not fall into one category. It’s a little bit of pop with a little bit of soul and a little bit of rhythm & blues. To be frank, it’s just good. Credit: Gary Governale Hailing from the town of Delcambre and stabilizing himself as a fixture on the local music scene in Lafayette, Louisiana, Gino V. has made a name for himself with various projects, including being a touring musician and playing in such bands as Sailor Mouth, Random Animals, HoleOpener, and The Band Forgiven. Gino’s diverse range of projects shows he is a man on a mission to be heard and seen. Multi-talented, Gino plays drums and sings, which is no small feat. With unparalleled skills and an ability to seamlessly blend various genres, Gino possesses an innate musicality—one that is sure to leave an indelible mark on the industry. Born and raised in a musically inclined family, Vallecillo was exposed to a diverse range of music from a young age where he absorbed the various musical styles, forming the foundation of his artistic journey that shows no signs of slowing down anytime soon. Having just released two new singles independently under his solo brand with the tunes “Shine” and “Back Home”, we were able to steal a few moments of Gino’s time to chat with him recently where we spoke about the state of the music industry as well as upcoming projects in the queue and what the future holds. Take a moment to read a little more about Gino V. and then be sure to check out his music on all streaming platforms. MaM : Thank you for speaking with us this morning. We did a little research on you, and it is insane how many projects you have been involved with over the years. Tell us a little background and history on you. GV : Well, my full name is Gino Vallecillo, but I shortened it to Gino V. because I’m Hispanic but grew up in Cajun Country. Since people have slaughtered my name my entire life, I figured it was easier for people to remember it this way. They can’t mess up Gino. I’m from Delcambre, which is south of Lafayette – about 35 minutes. I started playing drums around 12 years old but didn’t start playing on a kit until I was 14. I’ve been singing as long as I can remember, too, and I grew up in a very musical household where no one else played instruments, but everyone loved music. My dad is from Honduras, so I was exposed to salsa, mambo, and bachata dance styles early on—a lot of Afro-Cuban stuff. He was also into disco and soul music, so I absorbed that influence as well. My mom was more into rock from the 50s and 60s and also into 90s country, so I have those influences, too. Now, my brothers were the ones who liked hip-hop and R&B, so that kind of changed me. As a youth, it helped me to create the gumbo, if you will, of influences that got me here. Initially, when I first started, I was gigging in hardcore and metal bands from the time I was 14 and 15 years old, and that went all through college. In 2015, I decided to move on from the group I had been playing with for the past six years so I could start doing my own thing. I started trying to fill the pool with my singing again because I had taken a hiatus from it to focus on playing drums. I had been gigging in Lafayette in the heavy scene for a while but then decided to jump over to do more soul, blues, and R&B, which in Lafayette, oddly enough, is divided. You do have a few of us that do kind of catch every genre, but there’s so much out here including zydeco, which is huge. Credit: Gary Governale MaM : Obviously. GV : You can go out and see many genres in Lafayette, though, but I started taking the jump to do something different. Then in 2017, I started a band that I had initially hoped would be a dirty blues band, but it wound up taking shape to be more R&B-esque with a little rock influence. We were called Sailor Mouth. For about four years, I was in Sailor Mouth, and then in 2021, I was allowed to go on the road with a national recording act for about seven months. I got to experience the world and travel the country, and it lit a fire under me. Being out there inspired me, and I came across many musicians who had given their lives to other artists with nothing that was truly theirs. People don’t realize it, but the music industry is extremely hard. It’s one of the toughest industries to be a part of because it takes so long to establish yourself. There’s no security either. The best way to establish that security for yourself, though, is to have your own thing to fall back on no matter what. MaM : So true … go on. GV : After coming home from that road gig, I didn’t have my own thing anymore, so with the help of one of my best friends, we were able to write “Shine”. He has been super influential in my taking this next step. For the past year, I have written a ton of music and am sitting on close to 20 songs. Credit: Gary Governale MaM : Oh wow, that’s a lot. GV : “Shine” is the first release and I have some more music I want to release. My goal is to just continue to build my discography and try to elevate my brand. I have a lot of cool things coming up. MaM : Do you find it’s more difficult to get your music heard these days or do you feel technology has made it easier? GV : To be honest, I feel it’s a little bit of both. I use Distrokid and with that, there’s a lot of content put out because anyone can use it. I do think that because everyone is using streaming services our attention spans are not what they used to be, and for me as an artist, I don’t think I’ll be putting out a full record anytime soon. It would take so much of my time because I would obsess about every single detail including tracking and flow. I feel like singles are the way to go for me to establish my discography. I do like where technology is these days, but I think we’re on a different playing field than where it used to be with music. Credit: Gary Governale MaM : I can agree especially with the whole attention span thing. I couldn’t tell you the last time I listened to an entire album. I keep my music collection on shuffle, so it’s ever-changing. It’s crazy to think how far the industry has come and to think about how much things have changed. Of all these bands you have played in, are any of them still active? GV : Well, with Sailor Mouth, we are on a hiatus. A member moved and one had a baby and then I went on the road. Our guitarist is the guitarist for Wayne Toups right now, so he’s got that gig. Life just happened. I do still play for a very small circle of people currently. I still play for Ray Boudreaux. He’s a singer from Carencro and was on The Voice back in 2013. I also play for a soul singer out of Port Barre named Sarah Russo, who is incredible. I have a few projects. This is what I do full time and it’s what I want to do. Credit: Gary Governale MaM : So, mad respect for the fact that you play drums and sing. I’m not gonna lie: It looks difficult. How do you stay coordinated? How did you hone that skill to where you are just rockin’ the hell out of it? GV : Well, I think that it kind of started when I was younger. I was actually rapping and drumming when I was 14. I kind of dipped my toes into the water just to see if I was capable. Getting into the heavy scene, I found other drummers doing it in rock and metal bands. I got into Atreyu big time and Brandon Saller was a kick-ass drummer who sang. Underoath, Aaron Gillespie, another band with one who plays drums and sings. I was always inspired by it and wanted to do it. In 2016, I found Anderson .Paak and was very inspired by him, and I think that was one of the things in 2016 that gave me a kick in the ass when I saw him live because I knew I could do it. I wasn’t where I needed to be because I needed the mic time, but I knew it could be done. You’re not gonna get good at it unless you’re doing it constantly, so I’m always singing. Credit: Gary Governale MaM : That leads me to your new song, “Shine”—how did the lyrics come about for it? The entire vibe is so strong. GV : So, I had just come off the road and was trying to establish what I was going to do next. Josh, my homeboy, sent me the basic riff while I was on the road, and I had started messing with it. When I found the time to sit down, the song just poured out of me. The melody hit first and then the words came. The song “Shine” in general, I believe, is my outward expression of gratitude for the love I received from my partner. I went through some dark times in 2020 and I would have never gotten through them without my partner in my corner. So, the song is essentially that, but I think it’s up to interpretation, you know? It could be whatever that light in your life is, whatever that thing is that you can cling to that kind of pulls you out of the darkness when it doesn’t really feel like that’s possible. MaM : I can definitely resonate with that. You said for the rest of the year you plan to release singles, but what are your goals for the remainder of 2023 and into 2024 and beyond? GV : I want to continue to release music and I would love to do more on the local festival circuit. I’m going for Festival International next year here in Lafayette. I’d also like to do more road gigs … maybe travel through the Bay St. Louis area, maybe Mississippi, New Orleans, Baton Rouge, Lafayette, Lake Charles, and then go through Texas. The biggest thing for me right now is elevation. I want to take what I’ve been doing and do it on a new level. As Gino Vallecillo’s musical journey continues to evolve, his future projects will undoubtedly push the boundaries of contemporary music even further. His unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. To check out the music of Gino V., just hit one of the links below! DistroKid : Shine by Gino V. - DistroKid Linktree : ginovmusic | Instagram, Facebook | Linktree *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States Nicole Brice is a music snob. She loves discovering new tunes. Got something you think she’d like? Hit us up at mixedalternativemag@gmail.com . Previous Next

< Back The LA Phantoms: A Louisiana Punk Band with a Rich History Nicole Brice Nov 4, 2024 Share The LA Phantoms have the strength and will to create music that resonates. The LA Phantoms , a Louisiana punk band, has a rich history of resilience and readiness to face any challenge. Since the early 2000s , the band has seen many line-up changes and iterations, but their strength and determination to create music that resonates with their audience have never wavered. We are thrilled to share their story with you. Credit: Gary Governale Formed in the early 90s under the name Mystic Fix , the LA Phantoms are a homegrown band originally from Ville Platte that moved to Lafayette, Louisiana . There, they underwent numerous line-up changes due to member deaths and other tragic circumstances, but they never stopped. With even more changes since then, The LA Phantoms have emerged today through these trials and tribulations, ready to conquer the musical landscape. Today, the band is fronted by Cutty and Mac , who share vocal duties. Cutty , who also plays bass, Mac on drums, and Jaysun Birdman on guitar round out all the band duties. Sometimes, they'll invite other musicians on stage with them, too, because it is all about the music. This trio is brimming with anticipation for the new era of punk rock they are about to be a part of, with new music set to be released in 2025, and we cannot wait. I had the absolute pleasure of hearing this new music, and I can assure you, it's something to look forward to. A vast range of influences have solidified the LA Phantoms ' tight sound, and they are dedicated and determined to leave their mark on music history. To describe the LA Phantoms ' music, it is good, solid punk rock. There is no fluff, no frills, just straight-up enjoyable punk rock. The LA Phantoms , a trio of humble yet immensely talented musicians, embody a relentless drive and determination to push the boundaries of their craft. Their unwavering commitment to their music is admirable, and we eagerly anticipate what the future holds for them. Mixed Alternative Magazine had the privilege of engaging in a profound conversation with the LA Phantoms , and their love and dedication to their craft was genuinely inspiring. Read on to learn more about their journey. MaM : Let’s dive into your band history. Tell us a bit about how you got started and where. Mac : This band was an incarnation that spawned from another band. A punk band was called Mystic Fix . Mystic Fix was formed in the early 90s , around 1994 , in Ville Platte , Louisiana , by our brother, Chris . It was Chris and James , and another guy named Timmy on drums, who is my brother-in-law now, so then they moved from Ville Platte to Lafayette , and the other guys from Ville Platte fell off, and Chris continued with us with a different line-up. The line-up fluctuated between various people until it ended up being me, Cutty , Chris , and Luke Duke . We played a few shows with that line-up, but Chris wanted to play more rock n roll, and he was discovering bands like Nashville Pussy and Speedealer – a lot of Southern rock stuff. Mac Black by Gary Governale Eventually, he told me he didn’t want to go on with the name Mystic Fix anymore. He then said he wanted to start another band with more of a rock n roll approach because he thought it would give us more gigs across the country. He didn’t want to be pigeonholed into the whole punk rock scene. Fewer dive bars and bigger, more prominent venues. This all happened about 2001 , and that was when we officially started The LA Phantoms . It was me , Chris , and Luke Duke ( Choke ). We wrote and recorded an album and put it out. Luke lived in Lake Charles , and Chris lived in Lafayette . Luke eventually fell out because he couldn’t commute from Lake Charles to Lafayette to rehearse. We ended up getting another guy, Damien Miller . Damien was the bass player for that run of LA Phantoms and passed away in 2007. That run of The Phantoms went from 2001-2005 . Also, Creosote Jones from Cheater Pipe played with us for a few years and helped write many songs with us. Credit: Gary Governale Cutty : We also had a harmonica player. He did lead harmonica solos. MaM : Man, I’d be curious to see how that fits in with your sound. Mac : We have a link to it. We can send it to you. MaM : Yes. Please send me the link. Cutty : It gave it kind of a blues edge. It worked with the formula. It was kind of like the song “ Electric Worry ” by Clutch . They have harmonica on that song. MaM : So how did you get to the band's current incarnation? Mac : Chris died. MaM : Oh wow … Mac : In 2005 , my wife Jessica was terminal, so I had to quit the band because I couldn’t really play shows or go anywhere. We had been gigging everywhere from Austin to New Orleans , and I couldn’t go on the road because my wife needed me. Mac Black by Gary Governale MaM : I’m so sorry, man. I understand. Mac : I quit the band, and Chris started Mystic Fix back up with some other guys in Ville Platte . He started having trouble with his drummer because of his lack of interest. After my wife passed away, he asked me to join the band because he had recently signed up with a local label in Carencro . Chris gave me a cassette of the songs he planned to record, and I learned all the songs. The last show was at a skate park in Lafayette , and I got on stage to sing with them. This was June 10, 2007 . On the next day, June 11th , Chris passed away, and then I found out on my birthday, June 12th , that he passed. We were devastated by this. To help with his funeral expenses, they asked me to put together a band to gig and help make money to pay for his funeral. I told them we would learn all the songs Chris had created. Chris’ girlfriend sang for us, and we raised a few thousand dollars and were able to bury him. Chris’ girlfriend later became my wife. Her name is Julie Jab . Then there was this guy named Shane , who played bass briefly. He was like the Sid Vicious of Lafayette—a lot of stage presence. Credit: Gary Governale MaM : Then what? Mac : We got Cutty . Me and Cutty had played in Mystic Fix , and he was with us when we were writing the early songs with LA Phantoms , and he came back once we got rid of Shane . Then we gigged like that till my wife had a heart operation. She had a valve replacement. She couldn’t continue with us. Then I started a band called Black Feratu , with my friend James Feratu . That was metal , and we did it for a few years. Then, the original guitarist for Mystic Fix was on his deathbed and was not doing well. He decided he wanted to play another run of shows, so he and Luke went with Cutty and I , and we started doing Mystic Fix songs. Still, we decided to do some LA Phantoms songs, too, but then James got on the stage one night, and he could only do half a song, and he was on a tank of oxygen and just couldn’t do it anymore. Cutty by Gary Governale MaM : Wow, bless his heart. Cutty : Yeah, his last performance was in Lafayette at The Boom Boom Room . He was convinced he could stand up and play the songs. We tried to persuade him to sit down, but he stood up like a soldier and tried to troop through the song. Unfortunately, he did pass out, which was James ’ last performance on stage. MaM : To me, that is badass because that shows his dedication to music. Cutty : One of the toughest MF’ers to get on stage. MaM : I admire people like that, man. Those are the actual soldiers. Mac : That’s right. Till we die, we don’t stop. Cutty : Unfortunately, he did. MaM : You all have an interesting story. Mac : Tragedy at every step. Cutty : Today, we are coming to you for this interview from the slab that used to be Changes . Mystic Fix was pretty much the house band at Changes . Love it or hate it, but if this slab could tell stories, we could write an incredible book. Credit: Gary Governale MaM : Reminds me of the Dischord House and how well-known it is. Cutty : The sacred slab. Mac : Until it burned down. MaM : You’re back to where it all began, and it is fortunate that we are doing this interview today. Brings back all full circle. Let’s get into the music. Your music blows me away, and I can’t wait to market it. When are you planning to release the songs you sent me? Mac : We just finished mastering them and got the final footage for the video we are putting together of ‘ Slow What .’ The plan is to release everything simultaneously on all platforms, though. MaM : I think that sounds great. It's punk rock meets melodic thrash punk. It has a unique sound. I love the heavy bass on ‘ Slow What ,’ when the guitar comes in, it’s strong as hell, man, and that whole song takes off. It reminds me of The Melvins meets Tad . That’s the first vibe I got. With ‘Tight Grip,’ that song is aggressive out the gate, and then ‘Vampire,’ has that whole Van Halen ‘ Hot for Teacher ’ vibe. What inspired you to come up with your sound on these tracks? That is the LA Phantoms sound. Mac : It’s just all our influences. I wouldn’t say I like being put in a box. Cutty : A broad spectrum or prism. Without it, you’ll be limited and boring. We try to expand as much as we can. Credit: Gary Governale MaM : Who are your influences then? Cutty : The Misfits , Social Distortion , Slayer , Corrosion of Conformity Mac : James Brown , Taj Mahal , Sly and the Family Stone . Cutty : We also have another element of the music you haven’t heard yet. It’s more funk and blues. It's like Minutemen meets Sly and the Family Stone . We also have a small catalog of that. MaM : I can’t wait to hear that! You guys are talented as hell. Let’s do this. What is your ultimate goal as a band, and what are you looking to accomplish with your music? Mac : Our short-term goal is to release this music and expand our range of gigs. We have only been playing mainly in Lafayette and Lake Charles . We want to play Metairie and New Orleans more, maybe even Texas . In the long term, I’d love to tour Europe . My friends do this already, so I feel it’s achievable. Jaysun Birdman by Gary Governale MaM : Let’s make this happen. What is about music that makes you passionate? Cutty : It’s a release. You can have all these problems – weights and burdens on your back, and when I pick up my instrument, everything starts coming together. Even if it’s just 15 minutes or two hours, it makes everything okay. Jason : The creativity and playing live. There’s nothing else like it. I love the camaraderie we have. We played a show with Choke recently. They are awesome guys. Super cool. I love hanging out with everyone because we have so much in common, and everyone is so supportive of each other. Mac : Music sets me free and connects me to the universe. It connects with all is one, and one is all when I play music. It’s flow. It puts you in this flow state. Credit: Gary Governale MaM : They say music is medicine, and the Chinese symbol for medicine is like music. Tell me about the worst show you’ve put on so far, and then tell me about a good show you played. Cutty : I can’t focus on a bad show because it broadens the human horizon even if we mess up. We’re all people. It’s like a joke. If you trip, are you going to laugh with the crowd, or are you going to get laughed at, pissed off, and make an entire burden about it? You don’t do that. It would be best to roll with the punches because even a horror show is still a show. We’re out. We’re playing music. We’re having a good time, and we try to make the best out of it. That’s about it. As far as the best one? With these two guys, it’s always good. Mac : I’d have to say the last show or the ones going on right now are the best ones. The worst show I’ve ever shown is when there is violence at the show. Someone would be throwing bottles at us, or someone would come into the club with a gun or just incidences like that. Just don’t stop playing unless we have to chase someone out. Cutty : Now, if we got hit with a bottle, we’d have to beat the piss out of them. (laughter) Cutty : It’s just expected. (laughter) Mac : Well, the time with the gun, we didn’t stop playing. They walked in with the gun, pointed it at someone, and that was it. Credit: Gary Governale (laughter) MaM: If you could share the stage with anyone in the future, like your dream show, who would you pick, and why? Cutty : I would say opening for The Misfits and Suicidal Tendencies. That would be the perfect show for me. Mac : I have to concur. MaM : In the next five years, where would you like to be as a band? Mac : Touring Europe and playing big festivals. Credit: Gary Governale MaM : If someone approached you and asked you to describe your music to them, how would you sell it to them? Mac : Gangster Punk Rock n Roll (laughter) Cutty : I like that one. What was the phrase you wanted to put on shirts? Mac : Vampire bank robbers from outer space (laughter) MaM : Last question – how does music inspire you daily? Mac : To get up in the morning and face the world. Motivation to work out and live life. Credit: Gary Governale MaM : Same Cutty : Adrenaline and therapy – when you combine the two, that can also have a positive effect, and for us three, it works. MaM : Oh yeah, 100%. Jaysun : It helps me grow. I like to learn new stuff. I’m a student of the game. As The LA Phantoms prepare to embark on a new year with new music, they will undoubtedly begin to build a following. Stay tuned for much more from this trio. To learn more about LA Phantoms : Facebook: https://www.facebook.com/profile.php?id=61559706162429 *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next

< Back Reviews on the Real: XIII Minutes ‘Pitiful’ is a Hard-Hitting Reflection on Overcoming Adversity Nicole Brice Oct 30, 2024 Share ‘Pitiful’ sets a new direction for the music of XIII Minutes. Releasing November 1, 2024 , ' Pitiful ' by XIII Minutes is a powerful anthem and is THE perfect song to set a new direction for the band’s music. It's a sound that's hard to compare, and it's a sound that I can't wait to hear more of. We’ll see more of this band in the press in 2025. Just watch. 'Pitiful' releases everywhere November 1, 2024 ' Pitiful ' kicks off with a distant chorus of voices, setting the stage for a unique sound that will pique your curiosity. The song then builds to a thematic climax in the introduction, jamming right out the gate. Melodic lyrics start taking hold when your head nods as the pre-chorus starts in. Crunching guitars, precision drumming that will leave you in awe, and a solid chorus make this song one that you’ll be listening to on repeat in no time. “‘Pitiful’ tackles the topic of addiction (of any form) and shows it for what it is – a trap. There’s something very human about the desire to escape from life’s pain. It’s a relatable feeling, but our goal is to inspire listeners to engage in life in a much deeper and raw way. There is hope in the journey, and we can only begin to understand that hope when we tackle our pain head-on and sober.” I previously reviewed ‘ Cult Leader ,’ which has an entirely different sound than ‘ Pitiful .’ The production on ‘ Pitiful ’ is tight, and the entire song ends with you still wanting more. While the song's brevity leaves you craving more, it also adds to its charm, and is a testament to its quality. “We understand that not everything can be wrapped up in a 3–4-minute song, but despite tackling darker subject matter, we always want to sprinkle seeds of hope in our songs.” XIII Minutes has been around for a while, consistently delivering high-quality melodic rock throughout the years. However, they didn’t come onto my radar until earlier this year. Since then, they've quickly become one of my new favorite bands, especially after their previous release, Cult Leader . ‘ Pitiful ’ is a perfectly orchestrated song with textures, rhythm, and soaring vocals. The song will stick with you long after it has finished and resonate with anyone who likes a solid, melodic rock song. “One can never discount what an amazing producer can do to bring ideas to life and help a band funnel them in creating a focused output. In the writing of ‘ Pitiful ,’ we worked with producer extraordinaire Kevin Gates at Reach Audio , who, among others, has produced music by Afroman . Kevin brought out the best in us, and I think this song reflects just how amazing he is.” I’ve listened to ‘ Pitiful ’ five times, and it gets even better each time. If you truly want to enjoy It, might I suggest an excellent pair of headphones? They will make your listening experience much better. Stream ‘ Pitiful ’ everywhere on November 1st . For more information on XIII Minutes : Wikipedia: en.wikipedia.org XIII Minutes - Wikipedia Facebook: https://www.facebook.com/xiiiminutesofficial/ Spotify: https://open.spotify.com/artist/170qLAyfpGyLLTCu1QcDhL Rottweiler Records: www.rottweilerrecords.com XIII Minutes | Rottweiler Records Bandcamp: thirteenminutes.bandcamp.com XIII Minutes Instagram: https://www.instagram.com/xiiiminutesband/ Reverb Nation: YouTube: www.youtube.com XIII Minutes Band After a few years of silence, XIII Minutes is back — reforged as their strongest, hardest-hitting iteration yet. The hard rock band made a name for themselves with their album Obsessed, released in 2019 via Rottweiler Records. The album spawned the track “Who Told You,” which topped Christian rock charts. But life seasons changed, and the band went dark. Until now. “I think the focus on the culture and collective goals is what sets this era apart,” reflects Jamie Kucinski, band founder and drummer. “Through every step and experience, clarity has presented itself. Even during the hiatus, I began to better understand what I wanted to accomplish.” That steady focusing in led Kucinski to recruiting a new lineup in 2023, a lineup united under the common purpose of the band’s culture: a culture defined by hope, community and fun. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next

< Back Film Review: The Flood Keeley Brooks Jul 12, 2023 Share A moderately entertaining creature feature with storms, flood waters, and hangry alligators Recently, I had the chance to screen the upcoming horror thriller flick The Flood . Written by Chad Law ( Section 8 ) and Josh Ridgway ( Howlers ), the film is directed by former die section heavy metal vocalist Brandon Slagle ( The Black Dahlia Haunting ). The gist is this: In a small town in Southwest Louisiana, the local sheriff must lead some prisoners through a daring jail break during a massive hurricane in rising flood waters infested with a horde of hungry alligators. While The Flood presents us with an interesting scenario and is moderately entertaining, it's just another creature feature installment that falls short on delivering a solid horror movie full of gore, thrills, and chills. Starring Nicky Whelan ( Maneater ) and Casper Van Dien ( The Most Dangerous Game ), The Flood follows a federal transport van carrying five prisoners and their guards. With increasing winds and rising flood waters, they find themselves in need of a safe place to ride out the storm. In the tiny fictional town of Lutree, it seems the local jail is the only option. As the prisoners take shelter in the holding cells, the sheriff and a few deputies secure the building and discover not only are flood waters pouring in at the sublevel, but they’re also alive with hungry alligators. As water continues infiltrating the building and rising, gators make their way to the main floor, trapping everyone they don’t eat first in the holding cell room. As a result, the sheriff, the prisoners, and a few guards must make their “ daring jail break ” to survive. from Saban Films Oh, and somewhere in there tucked amongst all of that is some weird, flirty relationship between the sheriff and a certain prisoner, which doesn’t really function as anything other than an underdeveloped subplot of awkwardness. With Hurricane Gustavo bearing down on the city, conditions worsen as survivors struggle to make their way through the ceiling to the roof so they can escape the hungry horde. I don’t know about you, but I hardly consider four alligators to be a horde. A handful, maybe, but definitely not a horde. While the plot is decent, the film falls short in providing us with a solidly fleshed out storyline full of interesting dialogue and subplots—even subtext. And it definitely lacks in thrilling us with any real tension and horror, especially like what we saw with Alexandre Aja’s 2019 hit Crawl . The acting was okay, but it could’ve been better, and the effects are pretty low budget. The characters aren’t very memorable either, short of a smart-mouthed prisoner with an attempted Cajun accent and the town sheriff, who is a woman (Nicky Whelan). I have no problem with her being a woman—I love this, in fact. I just don’t particularly care for the way she is portrayed. Let’s be realistic, here: This movie is set in Southwest Louisiana. As someone who was born, raised, and lived most of her life in South Louisiana until recently, I can say with certainty that while hurricanes, flood waters, and alligators are a reality down there, sheriffs being hot babes with big knockers, constantly perfect dewy makeup, and hair always wet enough to look like a Sports Illustrated model on location are not. I’m sorry, guys, but I’ve never seen it. That’s not to say a beautiful, big-boobed babe can’t be a town sheriff; she absolutely can, and more power to her for that. But there isn’t much about this town sheriff that’s realistic or authoritatively official. from Saban Films I’m not downplaying Nicky Whelan at all--she wasn’t half bad. She makes a solid effort that would’ve best been met with a better supporting cast and a better fleshed-out narrative. Also, more effort could’ve been put into executing this story beyond just making sure she looked sexy in every scene. The scenario could’ve used more hangry gators, more urgency and chaos where the hurricane and jail break were concerned, more fear and desperation from the characters fighting to escape hangry beasts, and more action and gore in the gators’ sneak attacks—some of which were really good. I imagine had the filmmakers received a bigger budget, we’d have seen a different film. This felt rushed and centered more on a hot babe leading a group of men to safety instead of on escaping death in a raging hurricane with flood waters full of angry alligators. The Flood should have taken a bigger cue from Crawl on how to successfully create a horror thriller that depicts a destructively intensifying storm with flood waters full of bloodthirsty threats. In not doing so, they missed an opportunity to create a measurable creature feature to add to the queue. The storm here didn’t really seem that intense at all beyond the flood waters, and the four gators they held looked more like the alligator blow-up rafts found at Wal-Mart than actual hangry creatures. Despite all its weaknesses, there were a few moments that got my blood flowing that will get yours going, too. The beginning of the movie isn’t half bad and does a good job of setting the tone, and there’s a pretty good scene that involves narrowly escaping the jaws of a pissed-off gator, but overall, the movie ended predictably and quite abruptly, and it was rather anticlimactic with no real message, other than if you're down in Louisiana when a hurricane hits, be cautious of any flood waters. Then again, that's kind of Saban Films' thing: B-horror movies that fall short on hitting the mark but are still somewhat entertaining if you're bored. This watch is probably best left as a rainy-day rental or stream. For a more in-depth review of The Flood , click here . The Flood hits theaters everywhere in the U.S., on Apple TV, and on Video On Demand Friday, July 14. Keeley Brooks is a big ole movies, television, and streaming nerd with an uncontrollable urge to write about everything she watches, even if it sucks. Email her at the_keeleybrooks@mixedaltmag.com Previous Next

< Back What to Watch This Weekend (10.21.22) Keeley Brooks Oct 21, 2022 Share New Releases on Your Favorite Platforms This week has been abundant with exciting new streaming content! If you’re looking for something to get into over the next few days, I’ve got you covered on what's out there so you don’t have to go scrolling through each platform to find out. AMAZON PRIME May I Help You – An ongoing South Korean television series directed by Shim Soo-yeon and starring Lee Hye-ri and Lee Jun-young. Torn Hearts – In this flick, a country music duo seek out the private mansion of their idol, played by Katey Sagal, and end up in a twisted series of horrors that force them to confront the limits they’d go for their dreams. The Peripheral – Starring Chloe Grace Moretz and Jack Reynor, this sci-fi thriller is set in the future when technology has subtly altered society. A woman discovers a secret connection to an alternate reality, as well as a dark future of her own. Hush, Hush – Based on a series of four novels by Becca Fitzpatrick that follow teenager Nora Grey as she falls in love with the fallen angel Patch and discovers her own angelic heritage. It’s hailed as the angelic imitation of Twilight. AppleTV Raymond & Ray – Starring Ethan Hawke and Ewan McGregor as half-brothers who reunite when their estranged father dies—and discover that his final wish was for them to dig his grave. Together they process who they’ve become as men, both because of their and in spite of him. Acapulco , Season 2 – In 1984, Maximo Gallardo’s dream comes true when he gets the job of a lifetime at Acapulco’s hottest resort, Las Colinas; however, he soon realizes that working there is far more complicated than he ever imagined. Ghost Writer , Season 3 – Geared towards kids and teens, this series sees four kids team up to solve an exciting mystery surrounding a neighborhood bookstore ghost who is haunting the place and soon starts releasing fictional characters into the real world. HULU Handmaid’s Tale, Season 5 – This one probably needs no introduction, but I’m gonna go ahead and give you one anyway. Based on the best-selling novel by Margaret Atwood, this series is set in Gilead (Gil-E-ad), a totalitarian society in what used to be part of the United States. Gilead is ruled by a fundamentalist regime that treats women as property of the state, and of men, and is faced with environmental disasters and a plummeting birth rate. In a desperate attempt to repopulate a devastated world, the few remaining fertile women are forced into sexual servitude. One of these women, Offred (Elisabeth Moss), is determined to survive this terrifying new reality, find the daughter that was taken from her, and lead a revolution to get all the women in servitude out, then take down the government regime. She. Is. Badass. Also stars Joseph Fiennes, Bradley Whitford, Samira Wiley, Max Minghella, and Ann Dowd. Rosaline – A comedic retelling of Shakespeare’s “Romeo and Juliet”, told from the point of view of Romeo’s jilted ex, Rosaline—the woman Romeo first claims to love before he falls for Juliet. Tell Me Lies – Based off a novel of the same name by Carola Lovering and loosely based on her own past toxic relationship, this series is about a couple who quickly fall into an addictive entanglement that will permanently alter their lives and the lives of everyone around them as their tumultuous and intoxicating relationship unfolds over eight years. NETFLIX The School for Good and Evil – Netflix’s big new movie for the week and one of its biggest family movies of the year. The School for Good and Evil is a fantasy adaptation telling the story of Sophie and Agatha, both kidnapped into a school that trains people to be heroes or villains. The Stranger – A Netflix original movie, this Australian crime thriller film is written and directed by Thomas M. Wright ( Everest ) and starring Joel Edgerton and Sean Harris. Mark, an undercover cop, forms an intense, intimate relationship with Henry, a murder suspect, in an attempt to earn his trust and get a confession, risking both of their lives in the process. 28 Days Haunted – A reality show marking Netflix’s arrival in the ghost hunting arena, this series follows three teams of fairly well-known paranormal investigators, including Shane Pittman and Sean Austin, over the course of 28 days to some of the most haunted locations in America for an experiment based on the theories of late paranormal investigators Ed and Lorraine Warren. Now, if you don’t know who the Warrens are, please allow me to introduce you. Demonologists Ed and Lorraine Warren are the most famous husband and wife paranormal team to date. They’ve investigated such cases as the Amityville haunting, Annabelle the cursed doll, and the Enfield Poltergeist case. They devoted decades of their lives to exploring, authenticating, and documenting some of the most famous paranormal incidents ever reported, right up until Ed’s passing in 2006. Lorraine remained a prominent member of the paranormal community until she passed in 2018. If any of the teams stay the duration of four weeks at handpicked locations in Colorado, Connecticut, and North Carolina, they’ll gain acclaim and recognition for being a part of what Netflix is calling, “the most important advancement in paranormal research in the last several decades.” Descendant – Netflix’s latest documentary about the legacy of an illegal slave ship. Descendants of the enslaved Africans on an illegal ship that arrived in Alabama in 1860 seek justice and healing when the craft’s remains are discovered. Barbarians , Season 2 – Based on a true story, this historical war drama follows three people’s fates when they are interwoven in the Battle of the Teutoburg Forest in 9 A.D., during which Germanic warriors halt the spread of the Roman Empire. It’s brutal. It’s bloody. And it is most badass. From Scratch , Season 1 – An American student, played by Zoe Saldana, studying in Italy meets and falls in love with a Sicilian chef. High: Confessions of an Ibiza Drug Mule – In 2013, Michaella McCollum, from Northern Ireland, and Melissa Reid, from Scotland, were caught at the Jorge Chavez International Airport in Peru tyring to smuggle 1.5 million pounds of cocaine into Spain. The pair were sentenced to almost seven years in one of the most notorious prisons in the world. The series provides a first-hand account from Michaella, a former club hostess in the Spanish nightlife, as she traces her journey from arriving in the foreign country for her first holiday to her downward spiral into the illicit world of drugs and excess. ONI: Thunder God’s Tale , Season 1 – In a world filled with oddball gods and monsters, Onari is determined to follow in their footsteps, but her unique powers are yet to be revealed. Pokemon: Ultimate Journeys: The Series , Season 1 PARAMOUNT+ Monster High the movie – This title actually released Oct. 6. and is one all ages will enjoy … if musicals are your thing. Based on the popular animated franchise Monster High , this live-action musical follows three students at Monster High who bond over having famous monster and creature parents. A diabolical plan hatches and the three teens must rely on each other to save the day. Torn Hearts – In this flick, a country music duo seek out the private mansion of their idol, played by Katey Sagal, and end up in a twisted series of horrors that force them to confront the limits they’d go for their dreams. Blacklight – Liam Neeson is Travis Block, a shadowy government agent who specializes in removing operatives whose covers have been exposed. He uncovers a deadly conspiracy within his own ranks that reaches the highest echelons of power. PEACOCK One of Us Is Lying , Season 2 – Based on Karen M. McManus’s New York Times best-selling novel of the same name, this mystery surrounds five students at Bayview High as they walk into detention and only four walk out alive, leaving one dead just as he was about to reveal life-changing secrets about the others in a gossip app. Each of the students had the opportunity and individual motives to murder their classmate, but all claim to be innocent as the case revolves around which one of them is lying. The Rebellious Life of Mrs. Rosa Parks Documentary - A feature documentary that delves deep into civil rights icon Rosa Parks’ historic work and her role in the Montgomery Bus Boycott. Through interviews with those who knew her, powerful archival footage and her own words, the film tells the story of Parks’ extensive organizing, radical politics, and lifelong dedication to activism. Previous Next

< Back Chase Matthew: VBC Mars Music Hall Nicole Brice Nov 27, 2023 Share Huntsville, Alabama November 16, 2023 For our tenth installment of Weekend Rock, we bring you Chase Matthew from the Mars Music Hall in Von Braun Center on November 16, 2023 in Huntsville, Alabama where Tristan Baugh was the opening act. In case you missed the show, our photog Bud Gambrell was on site to cover all of the action, so take a moment to appreciate the beauty of his photography below. *All photos by Bud Gambrell with Dragonfly Imagery www.dragonflyaerialimagery.com Dragonfly Aerial Imagery Dragonfly Aerial Imagery is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next